Days Of Being Wild Internet Archive 2021 -

The "interesting story" regarding Days of Being Wild on the Internet Archive often refers to its legendary original ending and the lost sequel it was meant to launch. The Story of the Final Minute

The film famously ends with a mysterious, one-minute scene of Tony Leung Chiu-wai in a cramped room, meticulously grooming himself and getting ready to go out.

The Intent: This was not just a stylistic choice; it was a teaser for a second part that director Wong Kar-wai intended to film.

The Failure: Because the film was a commercial disaster in Hong Kong upon its release, the planned sequel was immediately canceled.

The Legacy: Decades later, Wong Kar-wai retroactively turned the film into the first part of a "love trilogy," followed by In the Mood for Love and 2046. Fans often visit sites like the Internet Archive to find rare cuts or discussions about what that lost second film might have looked like. Behind-the-Scenes Trivia

The "3 PM" Minute: One of the most famous stories from the film is Yuddy (Leslie Cheung) telling Su Li-zhen (Maggie Cheung) that because they spent the minute before 3 PM on April 16, 1960 together, she would always remember him.

A "Bad Boy" Classic: Leslie Cheung’s portrayal of the "rootless" Yuddy became a cultural touchstone in Hong Kong, earning him Best Actor and cementing his status as a cinema legend. days of being wild internet archive

Experimental Style: This was the first collaboration between Wong Kar-wai and cinematographer Christopher Doyle, establishing the "dreamy" and "hallucinatory" visual style they would become world-famous for.

For a deeper dive into how this film changed Hong Kong cinema and its connection to Wong Kar-wai's other works, check out this breakdown: Days of Being Wild (1990) EXPLAINED East Asian Cinema History YouTube• May 3, 2021 Days of Being Wild - Hong Kong Film Archive

Further Materials and Related Works

  • Follow-up films: In the Mood for Love (2000) and 2046 (2004) — thematic and stylistic continuations rather than direct sequels.
  • Key collaborators: Christopher Doyle (cinematography), William Chang (production design and editing), and recurring actors (Leslie Cheung, Maggie Cheung, Carina Lau).
  • Recommended readings: Film essays and monographs on Wong Kar-wai’s early period, interviews, and cinematography analyses.

Review of the Internet Archive’s Offering

Positives:

  1. Accessibility – For viewers who cannot access the film through legal streaming services (e.g., Criterion Channel, MUBI) or physical media, the Internet Archive provides a free, no-barrier option. This is especially valuable for students, researchers, or fans of Hong Kong cinema in regions where the film is not distributed.

  2. Preservation of Alternative Versions – Some uploads include different subtitle tracks (English, Chinese, etc.) or slightly varying video transfers, which can be useful for comparative analysis or restoration studies.

  3. Download Options – Most IA copies allow downloading in multiple formats (MP4, AVI, MKV), making offline viewing possible—a plus for unstable internet connections. The "interesting story" regarding Days of Being Wild

  4. No Account Required – Unlike many streaming platforms, the IA does not force users to sign up or pay.

Negatives:

  1. Questionable Legality – The film is still under copyright (distributed by Media Asia, with rights held by various entities). Uploads on the IA are typically unauthorized, which may deter users who prefer legal viewing.

  2. Variable Quality – Video quality ranges from acceptable (DVD rips) to poor (VHS transfers with tracking issues, washed-out colors). Audio can be distorted, and subtitles may be out of sync or poorly translated. This detracts from Wong Kar-wai’s visually rich cinematography and atmospheric soundtrack.

  3. Missing or Cropped Frames – Some uploads have cropping (aspect ratio incorrect) or missing scenes, which disrupts the film’s languid pacing and visual composition.

  4. No Special Features – Unlike the Criterion Collection release, IA versions lack director commentary, behind-the-scenes content, or the companion short film The Grandmaster (not related), so serious fans lose valuable context. Follow-up films: In the Mood for Love (2000)


Suggested Outline for an Internet Archive Entry (for archivists or contributors)

  1. Title and original release year
  2. Director, principal cast, runtime, language(s), country
  3. Source/format (35mm print, DVD, Blu-ray, digital file) and provenance
  4. Notes on restoration or transfer (if applicable)
  5. Licensing and copyright status statement
  6. High-quality stills or thumbnails (with rights cleared)
  7. Descriptive metadata: synopsis, keywords, era, setting, themes
  8. Related materials: trailers, interviews, essays, soundtrack listings
  9. Contact info for rights holder or distributor (if available)
  10. Tags for searchability (e.g., Wong Kar-wai, Hong Kong cinema, 1960s)

The Ethics of Digital Grave-Robbing

Not everyone is thrilled. When a Reddit user discovered their 1999 blog—detailing their high school eating disorder—had been saved in the Days of Being Wild index, they were horrified. “I was 14. That wasn’t ‘wild.’ That was a cry for help.”

Chen admits the ethics are thorny. Unlike the main Archive, which respects robots.txt and removal requests, the Wild collection operates in a grey area. “We argue we’re preserving cultural history,” Chen says. “But we’re also preserving the worst Tuesday of someone’s sophomore year.”

The collection now includes a prominent “Opt-Out” form. Still, the tension remains: between the right to be forgotten and the historian’s urge to remember.

Plot (Concise)

The story centers on Yuddy, a charming but emotionally unavailable young man who drifts through relationships with several women—most notably Li-zhen and Mimi—while searching for his elusive past and his absent mother. Parallel subplots follow other characters whose lives intersect with Yuddy’s orbit, building a portrait of love, abandonment, and the desire for belonging. The film ends on an unresolved note, emphasizing emotional incompletion.

The "Criterion" Problem vs. The "Archive" Solution

If you search for Days of Being Wild on legitimate streaming platforms, you will find a problem. In 2021, Wong Kar-wai supervised a 4K restoration of his filmography for The Criterion Collection. While technically pristine, these restorations were controversial. Wong, a notorious tinkerer, changed the color grading—turning the lush, verdant greens into cooler teals, altered the aspect ratio, and even changed the sound design.

Many purists argue that the "official" Days of Being Wild no longer exists. The film that won five Hong Kong Film Awards is not the film on HBO Max.

This is where the Internet Archive becomes vital. Uploaded by anonymous users over the last decade, you can find VHS-rip versions, LaserDisc transfers, and early DVD backups of the original theatrical cut. When you search for "Days of Being Wild Internet Archive," you are often downloading the authentic artifact—grain, wobble, and original color timing intact.