The Serpent And The Wings Of Night Audiobook — |work|

If you are looking for your next "romantasy" obsession, The Serpent and the Wings of Night audiobook offers a high-stakes, 15-hour immersive experience into a world where humans are prey and vampires rule with lethal grace. This first installment of the Crowns of Nyaxia series, written by New York Times bestselling author Carissa Broadbent, has become a TikTok sensation for its "Hunger Games meets vampires" vibe and electric slow-burn romance. Audiobook Overview

The audiobook, published by Podium Audio, was released on August 15, 2023. It features a total listening length of 15 hours and 4 minutes. Narrator: Amanda Leigh Cobb.

Performance Style: Listeners praise Cobb for capturing the "wary innocence" of the protagonist and her transition into a hardened warrior. Her narration effectively handles both the brutal violence of the tournament and the "fiery lovemaking" scenes.

Availability: You can find the audiobook on platforms like Audible, Apple Books, Libro.fm, and Spotify. Plot Summary: Survival in the House of Night

The story follows Oraya, the adopted human daughter of Vincent, the Nightborn vampire king. In a world designed to kill her, Oraya’s only hope for true safety is winning the Kejari, a legendary centennial tournament held by Nyaxia, the goddess of death. The winner is granted a single wish that can alter their destiny.

To survive the vicious trials against warriors from three rival vampire houses (Night, Shadow, and Blood), Oraya enters an uneasy alliance with Raihn, a ruthless vampire from a rival faction. As they navigate deadly trials together, the line between ally and enemy blurs into a dangerous attraction. Key Characters to Listen For

Oraya: Known as the "little serpent," she is pragmatic, skilled, and deeply lonely.

Raihn: A powerful, sarcastic vampire with hidden noble motivations and a complicated past.

Vincent: Oraya’s adoptive father, who loves her with a "fierce yet conditional" intensity and taught her never to trust.

Mische: Raihn’s compassionate sister, who provides a rare sense of camaraderie in a brutal world. Why Listeners Love It Crown of Nyaxia Review: A Must-Read Romantasy

The Serpent and the Wings of Night by Carissa Broadbent is the first installment in the Crowns of Nyaxia series. The audiobook is published by Podium Audio and narrated by Amanda Leigh Cobb, featuring a total listening length of 15 hours and 4 minutes. 🎧 Audiobook Overview

The story is often described as The Hunger Games with vampires.

Plot Summary: Oraya is the adopted human daughter of the Nightborn vampire king, Vincent. To survive in a world of predators, she enters the Kejari, a legendary tournament held by the goddess of death, where the winner is granted one wish. the serpent and the wings of night audiobook

The Alliance: Oraya forms a dangerous alliance with Raihn, a rival vampire who is her greatest competition but also a potential romantic interest.

Performance: Narrator Amanda Leigh Cobb is widely praised for her expressive tone and ability to bring Oraya’s character to life. However, some listeners found her pacing uneven or the first-person internal monologues repetitive. 📚 Crowns of Nyaxia Reading Order

Author Carissa Broadbent recommends a specific order to experience the full narrative arc across the series, which is divided into three duologies: The Serpent and the Wings of Night (Nightborn Duet #1)

Six Scorched Roses (Optional novella; best read before Ashes) The Ashes and the Star-Cursed King (Nightborn Duet #2) Slaying the Vampire Conqueror (Optional standalone novel) The Songbird and the Heart of Stone (Shadowborn Duet #1) The Fallen and the Kiss of Dusk (Shadowborn Duet #2)

The Lion and the Deathless Dark (Bloodborn Duet #1 — Upcoming/Released 2025) ⭐ Critical Reception

Carissa Broadbent's Serpent & Wings of Night Book Review - TikTok

Survival and Sound: The Immersive World of The Serpent and the Wings of Night Carissa Broadbent’s The Serpent and the Wings of Night , the first installment in the Crowns of Nyaxia

series, has rapidly ascended to the pinnacle of the "romantasy" genre. While the written word captures the brutal beauty of Oraya’s journey, the audiobook version , narrated by the legendary Amanda Leigh Cobb

, transforms this dark tale into a visceral, 15-hour-and-4-minute immersive experience. By blending high-stakes survival trials with a complex emotional core, the audiobook elevates Broadbent’s prose, making the treacherous vampire kingdom of Obitraes feel startlingly real. A Performance of Power and Vulnerability

The success of any audiobook hinges on its narrator, and reviewers from platforms like

have hailed Amanda Leigh Cobb’s performance as "perfect" and "captivating". Cobb masterfully navigates the duality of the protagonist, Oraya—a human adopted by the Nightborn vampire king, Vincent. In a world where she is viewed as nothing more than prey, Oraya must maintain a cold, "emotionless façade" to survive. Cobb’s narration captures this external steeliness while simultaneously conveying the quiet vulnerability and internal rage Oraya feels as she enters the Kejari, a legendary death tournament held by the goddess Nyaxia. Themes of Identity and Love as Ruination

The Serpent and the Wings of Night: Crowns of Nyaxia, Book 1 If you are looking for your next "romantasy"

Book details * Book 1 of 5. Crowns of Nyaxia. * Listening Length. 15 hours and 4 minutes. * Author. Carissa Broadbent. * Narrator. Amazon.com

The Serpent & the Wings of Night by Carissa Broadbent | Goodreads 16 Aug 2022 —


Title: Echoes in the Dark: Narrative Immersion and Character Interpretation in the Audiobook of The Serpent and the Wings of Night

Abstract This paper examines the audiobook adaptation of Carissa Broadbent’s The Serpent and the Wings of Night (2022). As the fantasy genre continues to dominate the audiobook market, the translation of textual world-building to an auditory medium presents unique challenges and opportunities. This analysis focuses on the performance of narrator Amanda Leigh, exploring how vocal characterization—specifically regarding the protagonist Oraya and the romantic lead Raihn—shapes listener perception of the novel’s central themes of otherness, power, and intimacy. By analyzing the shift from internal monologue in the text to voiced performance, this paper argues that the audiobook format amplifies the emotional stakes of the narrative, effectively transforming the "enemies-to-lovers" trope into an immersive sensory experience.

1. Introduction The rise of "Romantasy" (Romance-Fantasy) as a dominant literary subgenre has coincided with the explosion of the audiobook industry. Carissa Broadbent’s The Serpent and the Wings of Night, the first installment in the Crowns of Nyaxia series, serves as a prime case study for this intersection. The novel follows Oraya, a human adopted by a vampire god, as she navigates the Kejari—a deadly tournament for the favor of a goddess. While the text relies on descriptive prose and internal monologue to convey Oraya’s constant state of hyper-vigilance, the audiobook, narrated by Amanda Leigh, relies on auditory cues to establish atmosphere. This paper posits that the audiobook medium heightens the gothic elements of the setting and accentuates the romantic tension through the modulation of vocal intimacy.

2. Vocalizing the "Other": Oraya and the Tone of Isolation A central tension in Broadbent’s novel is Oraya’s status as a human in a world of vampires. In the text, her "otherness" is conveyed through descriptions of her vulnerability and the reactions of those around her. In the audiobook, however, this isolation is embedded in the narrator’s voice. Amanda Leigh utilizes a hardened, cynical tone for Oraya, creating a vocal mask that cracks only during moments of extreme stress or intimacy.

This vocal rigidity serves a dual purpose. First, it establishes Oraya’s agency; she sounds capable and sharp, matching her skill as a warrior. Second, it creates a sonic contrast with the internal narration. When Leigh shifts into Oraya’s internal thoughts, the pace slows, and the pitch softens, emphasizing the disconnect between Oraya’s public persona and her private fears. This auditory dichotomy creates a "close listening" effect, where the listener is invited into the character's psyche more immediately than a text reader, who must visually parse the distinction between action and thought.

3. The Acoustics of Romance: Raihn and the Enemy The "enemies-to-lovers" trope relies heavily on the tension between threat and desire. In the audiobook, the character of Raihn is defined not just by Broadbent’s dialogue, but by the narrator’s vocal modulation. Leigh distinguishes Raihn through a lower register and a relaxed, often mocking cadence.

Scholarly interest in audiobook romance suggests that the medium allows for a performative intimacy that text cannot replicate. When Raihn and Oraya banter, the speed of the dialogue accelerates, mimicking a verbal sparring match. Conversely, during the novel’s romantic climaxes, the narrator employs a breathy, quieter quality that mimics the proximity of a whisper. This technique, often referred to in voice acting as "working the microphone," creates a sense of eavesdropping for the listener. By lowering the volume during intimate scenes, the audiobook forces the listener to lean in, physically replicating the draw between the characters. Thus, the audiobook transforms Raihn from a textual villain into a tangible, seductive presence.

4. World-Building Through Prosody: The Kejari Broadbent’s world-building is high-concept, featuring a floating vampire kingdom and a brutal tournament. Translating this to audio requires the narrator to serve as an atmospheric guide. The challenge lies in the "information dump" nature of fantasy world-building. Leigh utilizes prosody—the rhythm and stress of speech—to navigate this. Exposition regarding the history of the House of Night is delivered with a rhythmic, almost storytelling quality, distinguishing it from the immediacy of the action scenes.

Furthermore, the visceral nature of the Kejari trials is enhanced by the audio format. Descriptions of blood and violence, when read, can be skimmed or paused upon. In the audiobook, the unrelenting pace of the narration during fight scenes mirrors the frantic energy of the tournament. The listener cannot control the speed of the horror as easily as a reader, thereby increasing the tension and the "thrall" of the narrative.

5. Conclusion The audiobook adaptation of The Serpent and the Wings of Night demonstrates that the medium is not merely a delivery system for text, but a distinct interpretive art form. Through Amanda Leigh’s performance, the novel’s themes of isolation and dangerous attraction are given a sonic dimension that enhances the reader's immersion. By vocalizing the contrast between Oraya’s hard exterior and soft interior, and by utilizing vocal intimacy to sell the romantic arc, the audiobook succeeds in making Broadbent’s fantasy world a visceral reality. As the Crowns of Nyaxia series continues, the role of the narrator will remain pivotal in shaping how audiences interpret the complex morality and romance of this vampire saga. Title: Echoes in the Dark: Narrative Immersion and


Selected Bibliography (Simulated)

  • Broadbent, Carissa. The Serpent and the Wings of Night. Sourcebooks Casablanca, 2022.
  • Leigh, Amanda, narrator. The Serpent and the Wings of Night. Written by Carissa Broadbent, Brilliance Audio, 2022.
  • Rubery, Paul. The Untold Story: The Making of the Audiobook. Oxford University Press, 2016.
  • Have, I., and Pedersen, B. S. "Characterization in Audiobooks: A Study of Voice and Persona." Journal of Audio Studies, vol. 12, 2019.

Comparison: Audiobook vs. Ebook vs. Physical

| Feature | Audiobook | Ebook/Physical | | :--- | :--- | :--- | | Immersion | Highest (score, pacing, voice acting) | Medium (self-paced) | | Pronunciation | Correct (Nyaxia, Raihn, Oraya) | Visual only | | Portability | High (listen while driving/gym) | Low (need light/hands) | | Emotional Impact | Devastating (due to vocal delivery) | High (due to internal monologue) | | Time Commitment | Rigid (15+ hours fixed) | Flexible (speed reading possible) |

Verdict: If you commute or workout, the audiobook is superior. If you like to annotate or re-read specific spice scenes, buy the paperback as a companion.

1. Introduction: The Romantasy Boom and the Rise of Immersive Audio

The commercial success of The Serpent and the Wings of Night (hereafter TSATWON) is inseparable from the broader boom in adult fantasy romance, catalyzed by works like Sarah J. Maas’s A Court of Thorns and Roses. Yet Broadbent distinguishes her Nightborn Duet through a darker, more morally ambiguous tone, a high-fatality tournament (the Kejari), and a protagonist who is human in a world of vampire predators.

The audiobook format, long relegated to a secondary market, has recently gained critical recognition as a medium requiring its own hermeneutics. Matthew Rubery (2011) argues that audiobooks produce “a different kind of reading—one that is social, embodied, and temporal.” In TSATWON, Amanda Leigh Cobb’s narration foregrounds precisely these qualities. Where a print reader controls pacing and re-reads passages at will, the audiobook listener is swept along by Cobb’s rhythmic delivery, forced to experience Oraya’s terror and desire in real-time, much like the character herself.


Final Verdict: Is the Audiobook Worth the Credit?

Unequivocally, yes. The Serpent and the Wings of Night audiobook is not merely a reading of a book; it is a performance of a book. Amanda Leigh Cobb captures the dichotomy of Oraya—a fragile human with the soul of a killer—and Raihn—a monster with a gentle heart.

For fans of the genre, listening to this audiobook is akin to watching a prestige drama rather than reading the screenplay. The 15 hours fly by, leaving you breathless, teary-eyed, and immediately reaching for the sequel.

Rating: ⭐⭐⭐⭐⭐ (5/5) for narration.
Recommended for: Fans of enemies-to-lovers, vampire lore, deadly tournaments, and good cry in the car.


If you haven't yet entered the Kejari, plug in your headphones. The goddess Nyaxia is waiting, and Oraya’s heart is not the only thing that will bleed.


2. Performance as Interpretation: Amanda Leigh Cobb’s Vocal Palette

The Audiobook Experience: Narrated to Perfection

The The Serpent and the Wings of Night audiobook is performed by Amanda Dolan, and her narration is nothing short of mesmerizing.

  • Dual Perspective Brilliance: While the book is primarily from Oraya’s POV, Dolan’s ability to shift tone, tension, and vulnerability captures every nuance—from Oraya’s fierce determination to her hidden fears.
  • Distinct Voices for a Dark World: Each character, especially the enigmatic Raihn, receives a unique vocal identity. Raihn’s voice drips with roguish charm and hidden depth, making every tense, whispered exchange feel electric.
  • Pacing That Bites Back: Dolan masterfully accelerates during action sequences (the Kejari trials will have you gripping your headphones) and slows to a seductive crawl during the simmering romance and political scheming.

What Listeners Are Saying

  • ⭐⭐⭐⭐⭐ “I couldn’t stop listening. Amanda Dolan captures Oraya’s strength and vulnerability perfectly. The romance had me gasping in public.”
  • ⭐⭐⭐⭐⭐ “If you liked The Hunger Games but wish it had vampire courts, deadly romance, and morally gray characters—get this audiobook NOW.”
  • ⭐⭐⭐⭐☆ “The narrator’s voice for Raihn is everything. Dark, smooth, and dangerous. I’m obsessed.”

2.2 The Nightborn King and Raihn: Masculinity as Acoustic Terrain

Cobb does not simply “act” male voices but creates distinct acoustic profiles for the two primary male characters:

  • Vincent, the Nightborn King: Cobb employs a low, gravelly monotone with minimal pitch variation. This flattening conveys emotional detachment and calculative power. Vincent sounds less like a person and more like a geological feature—immovable, ancient, dangerous.
  • Raihn: Her Raihn voice introduces upward inflections at phrase ends, slightly faster tempo, and a warmer resonance. Notably, Raihn’s dialogue often overlaps with Oraya’s internal narration without a hard pause, creating a sense of conversational immediacy and destabilizing the listener’s sense of boundary between self and other.

Scholars of audiobook narration (Have & Pedersen, 2020) note that cross-gender vocal performance can risk caricature. Cobb avoids this by focusing on rhythm and emotional attitude rather than pitch suppression, allowing Raihn to feel masculine without parody.