IDMC’s Global Report on Internal Displacement is the official repository of data and analysis on internal displacement. This year's GRID discusses the relationship between climate change, disasters and displacement, and presents good practices from across the globe in advancing policy, displacement risk reduction and effective response.
Part 1 – Internal displacement in 2020 presents updated data and analysis of internal displacement at the global level. Data and contextual updates are included in the regional overviews and country spotlights.
Part 2 – Internal displacement in a changing climate discusses the importance of sound evidence and promising approaches to addressing disaster displacement and reducing the negative impacts of climate change on IDPs.
Humanity: Hour I is available on all major streaming platforms in high quality (often up to 320 kbps on Spotify, Apple Music, Tidal, etc.). It can also be purchased as a CD, vinyl reissue, or digital download from the band’s official store or Amazon Music.
Released on May 14, 2007, Humanity: Hour I is widely regarded by critics and fans as a significant "comeback" for the Scorpions, marking their strongest work since 1990's Crazy World. Produced by Desmond Child and James Michael, it is a sci-fi concept album exploring themes of humanity’s survival in a world increasingly dominated by technology. Musical Style & Sound
Reviewers frequently note that the album bridges the band's classic hard rock roots with a sleek, modern production style.
Heavier Edge: Tracks like "Hour I" and "321" showcase a lower-tuned, modern metal crunch that some reviewers compared to the intensity of Blackout.
Signature Ballads: The album balances its heavy side with emotional power ballads like "The Future Never Dies" and "Love Will Keep Us Alive". scorpions humanity hour i 2007 320 kbps upd
Polished Production: Critics from Metal Express Radio praised the "outstanding" production quality, highlighting the dominant bass presence and James Kottak's powerful drum sound. Critical Consensus Humanity - Hour I review by Scorpions - Ultimate Guitar
Scorpions' 2007 release, Humanity: Hour I, is widely regarded by critics as one of the band's strongest modern-era efforts, often cited as their best work since 1990's Crazy World. Produced by Desmond Child and James Michael, it is a loose concept album focusing on the dark themes of humanity's future, featuring a more mature and "apocalyptic" atmosphere than their classic 80s party-rock. Critical Highlights
Vocal Performance: Reviewers from Ultimate Guitar and Metal Temple consistently praise Klaus Meine, noting that his voice sounds exceptionally fresh, emotional, and powerful for this stage of his career.
Modern Production: The album features a "crisp and tight" modern sound with clean, bright guitars and some down-tuned, heavier elements. Some critics, however, found the production too "polished" or "radio-friendly". Scorpions – Humanity: Hour I (2007): The Ultimate
Notable Collaborations: The album includes high-profile guests, most notably Billy Corgan (Smashing Pumpkins) on "The Cross" and John 5 as a guest guitarist. Standout Tracks
"Hour I": A heavy, modern opener that sets the tone for the album's concept.
"The Game of Life": Highlighted for its catchy, melodic groove and "Rock You Like a Hurricane" style energy.
"321": Frequently cited as a classic-style anthem perfect for live performances. Released on May 14, 2007, Humanity: Hour I
"Humanity": The title track and closer is often called one of the band's finest ever, featuring "hauntingly stunning" orchestration. Common Criticisms Humanity - Hour I review by Scorpions - Ultimate Guitar
Some “UPD” releases include “Cold” or “Does Anyone Know” as bonus.
The sequel was planned but scrapped due to label changes and the band’s “final” tour shift. Some songs appeared on Sting in the Tail (2010).
Humanity: Hour I is a loose concept album examining humanity’s self-destructive tendencies, war, technology, and hope for redemption. The “Hour I” in the title suggests a critical moment—a final hour before irreversible change. Themes include political manipulation (“The Game of Life”), religious extremism (“The Cross”), and environmental collapse (“Love Will Keep Us Alive”). Unlike the romantic anthems of the Love at First Sting era, this album channels post-9/11 anxiety and the Iraq War era’s disillusionment.