Danielle J. Navarro and David R. Foxcroft, Learning Statistics with jamovi: A Tutorial for Beginners in Statistical Analysis. Cambridge, UK: Open Book Publishers, 2025, https://doi.org/10.11647/OBP.0333
Read for freeLearning statistics with jamovi covers the contents of an introductory statistics class, as typically taught to undergraduate psychology students.
The book discusses how to get started in jamovi as well as giving an introduction to data manipulation.
Written in latex and published as a pdf file, for great design and easy access.
Descriptive statistics and graphing are followed by chapters on probability theory, sampling and estimation, and null hypothesis testing.
The book covers the analysis of contingency tables, correlation, t-tests, regression, ANOVA and factor analysis.
The book is open source licensed and is free to access and/or download.
In the sprawling, glittering tapestry of Hindi cinema, few films have managed to be a love letter to the industry while simultaneously deconstructing it. Farah Khan’s 2007 magnum opus, Om Shanti Om, is that rare artifact—a self-aware, meta-musical, reincarnation drama that works not despite its absurdity, but because of its unapologetic heart. And at the center of this glorious chaos stands Shah Rukh Khan, delivering what is arguably his most audacious, versatile, and affectionate performance.
For all its surface glitz, Om Shanti Om taps into genuine emotional currents: the longing of an artist for recognition, the pain of being erased, and the redemptive power of memory and justice. Farah Khan balances satire with sentiment, ensuring the film never becomes hollow pastiche.
Example: The scenes of Om piecing together his past—small moments of memory combined with big revelations—lend an emotional spine to the otherwise exuberant extravaganza. om shanti om full hindi movie shahrukh khan top
At its core, Om Shanti Om is a reincarnation tale: a junior film-choreographer-turned-extra (Om Prakash Makhija) in the 1970s dies in a fiery studio tragedy and is reborn decades later as Om Kapoor, a polished superstar with memories that rekindle his quest for justice and lost love (Shantipriya). That premise gives the movie a high-concept engine—revenge across lifetimes—while letting it roam freely across genres. One moment the film is a screwball comedy with larger-than-life caricatures of producers and villains; the next it becomes melodramatic cinema with lavish songs, tearful confrontations, and grand emotional reveals.
Example: The 1970s-set dream sequences and studio scenes lean into melodrama and retro kitsch, while Om’s modern reincarnated life is slick, meta, and self-aware—mirroring the film’s tonal oscillations. Beyond the Glitter: Why Shah Rukh Khan’s ‘Om
Music by Vishal–Shekhar is central: earworm songs like the title track and “Dard-e-Disco” fuel the movie’s energy. Choreography and production design are maximalist—bright, shiny, and deliberately larger than life—echoing the film’s thesis that Bollywood thrives on spectacle.
Example: The dramatic reincarnation montage and the climactic stage sequence use music, lighting, and choreography to elevate a revenge plot into operatic showmanship. gained weight for the 1970s look
Om Shanti Om matters because it both celebrates and critiques Bollywood while delivering crowd-pleasing entertainment. It launched Deepika Padukone, reaffirmed Shah Rukh Khan’s rule as a romantic-action star, and remains a go-to example of mainstream Hindi cinema’s capacity for self-parody without losing heart.
In short: Om Shanti Om is noisy, lavish, occasionally ridiculous, and entirely lovable—an ode to the dream factory that makes escapism feel like home.
This is one of SRK’s most physically demanding roles. He performed dangerous fire stunts himself, gained weight for the 1970s look, and then shed it instantly for the 2000s look. The scene where Om Prakash stands in front of a mirror practicing his lines as Shantipriya walks by is repeatedly hailed as his top piece of acting—blending humor, longing, and tragedy in 30 seconds.
