Nonton Antichrist -2009- May 2026

Watching (nonton) Antichrist (2009) , directed by Lars von Trier, is an intense experience that is often described as one of the most controversial and visually striking films of the 21st century.

Here is a guide to help you navigate and understand this complex piece of cinema. 1. The Premise

The story follows an unnamed couple—played by Willem Dafoe and Charlotte Gainsbourg—who retreat to an isolated cabin in the woods named "Eden" following the accidental death of their young son. The husband, a therapist, attempts to treat his wife's profound grief through exposure therapy, but their stay descends into a nightmare of psychological and physical violence. 2. Core Themes & Symbolism

To get the most out of the film, it helps to look past the surface-level shock: Chaos Reigns:

A central line in the film, suggesting that nature is a "church for Satan". It challenges the idea of a benevolent natural world. Grief and Guilt:

The film explores how extreme trauma can warp the human psyche and lead to self-destruction. Religious & Gender Subtext:

The movie uses the Garden of Eden imagery to subvert traditional religious narratives, exploring the struggle between masculine logic and feminine nature. 3. Viewer Warnings Before you press play, be aware of the following: Graphic Content:

The film contains extreme depictions of sexual violence and self-mutilation. It is strictly for adult audiences and is frequently censored in various countries. Cinematography:

The opening prologue is famous for its beautiful, slow-motion black-and-white cinematography set to Handel's music, which contrasts sharply with the gritty, handheld style of the rest of the film. 4. Why It Matters Despite its difficulty, Antichrist

is highly regarded by critics as a masterpiece of "art-house horror". Charlotte Gainsbourg won the Best Actress

award at the Cannes Film Festival for her raw, haunting performance. 5. Where to Watch

You can typically find the film on specialized streaming platforms for independent cinema: The Criterion Channel: Often hosts the film as part of its curated collection. Frequently features Lars von Trier’s filmography. Prime Video/Apple TV: Available for rent or purchase in many regions. Learn more

Antichrist 2009 ~ An Interpretation | Virtual Borderland - WordPress.com

Exploring the Dark Abyss: A Deep Dive into Lars von Trier’s Antichrist (2009)

When Lars von Trier’s Antichrist premiered at the 2009 Cannes Film Festival, it didn’t just spark a conversation; it ignited a firestorm. For those looking to nonton Antichrist (2009), it is essential to understand that this isn’t your typical psychological thriller. It is a grueling, beautiful, and profoundly disturbing exploration of grief, nature, and the human psyche. The Premise: Chaos Reigns

The film begins with a haunting, slow-motion prologue set to Handel’s Rinaldo. While a couple (played by Willem Dafoe and Charlotte Gainsbourg) makes love, their infant son climbs out a window and falls to his death. This tragedy serves as the catalyst for the entire narrative.

Dafoe’s character, a therapist, decides to treat his wife’s paralyzing grief himself. They retreat to "Eden," an isolated cabin in the woods. However, instead of finding peace, they descend into a nightmare where nature is described not as a sanctuary, but as "Satan's church." Why Antichrist Remains a Controversial Masterpiece

For viewers searching for a way to watch or nonton this cult classic, the film’s reputation often precedes it. Here is why it remains a focal point of cinematic discussion:

Visceral Performances: Charlotte Gainsbourg won the Best Actress award at Cannes for her role. Her portrayal of a woman unraveling is raw and fearless. Willem Dafoe provides a perfect foil as the rational man who realizes too late that logic cannot solve primal despair.

Stunning Cinematography: Shot by Anthony Dod Mantle, the film oscillates between "Mose" (ultra-slow motion) and handheld, documentary-style footage. The visual language creates an atmosphere of suffocating dread.

Provocative Themes: Von Trier explores misogyny, the inherent cruelty of the natural world, and the "Three Beggars" (Grief, Pain, and Despair). It challenges the audience to look at the darker side of existence that most films avoid. What to Expect When You Watch

If you are planning to nonton Antichrist (2009), be prepared for extreme graphic content. The film is famous—or infamous—for its "unwatchable" scenes of genital mutilation and psychological torture. These aren't included for mere shock value; they represent the ultimate externalization of internal agony. The film is divided into chapters: Chapter 1: Grief Chapter 2: Pain (Chaos Reigns) Chapter 3: Despair (Gynocide) Chapter 4: The Three Beggars The Legacy of "Chaos Reigns"

The phrase "Chaos Reigns," uttered by a disemboweled fox in one of the film’s most surreal moments, has become an iconic meme and a summary of the film’s philosophy. Antichrist suggests that the universe is not ordered or kind, but chaotic and indifferent to human suffering. Conclusion

To nonton Antichrist (2009) is to engage with a cinematic work that functions as a baptism of fire. It is not a traditional horror film, but rather a landmark in "extreme cinema" that pushes the boundaries of visual storytelling. By forcing the audience to confront themes of grief and the darker aspects of the human condition, Lars von Trier created a piece of art that remains as divisive and discussed today as it was upon its release.

For those interested in exploring the depths of psychological drama and avant-garde filmmaking, this movie stands as a significant, albeit challenging, entry in modern film history.

The Transgressive Terror of Lars von Trier’s Antichrist (2009)

When Lars von Trier released Antichrist in 2009, it didn't just premiere; it detonated. Dedicated to the Soviet filmmaker Andrei Tarkovsky but possessing a visceral, agonizing energy entirely its own, the film remains one of the most polarizing entries in modern cinema. To "nonton" (watch) Antichrist is to volunteer for a descent into a psychological and physical abyss, exploring the intersection of grief, misogyny, and the terrifying indifference of nature. Grief and the Edenic Nightmare

The film opens with a haunting, slow-motion prologue set to Handel’s Lascia ch'io pianga. A toddler falls to his death while his parents (played by Willem Dafoe and Charlotte Gainsbourg) are in the throes of passion. This foundational trauma sets the stage for a "therapy" retreat to their cabin in the woods, ironically named "Eden." nonton antichrist -2009-

However, von Trier subverts the biblical Eden. Instead of a paradise of creation, his Eden is a site of rot and "Nature’s Church," where the grass breathes and the animals speak of chaos. The film suggests that grief isn't something to be "solved" through the husband’s clinical, arrogant rationalism, but a primal force that can dismantle the human psyche. The War Between the Sexes

Antichrist is frequently debated for its perceived misogyny versus its portrayal of internalised feminine despair. Gainsbourg’s character, consumed by a research project on "Gynocide" (the historical persecution of witches), begins to embody the very evil that men historically projected onto women.

The conflict between the two characters becomes a proxy war between cold, detached logic (the Husband) and raw, chaotic emotion (the Wife). As the film progresses, this psychological tension erupts into infamous scenes of graphic self-mutilation and violence. These moments aren't merely for shock value; they represent the ultimate breakdown of the body when the mind can no longer contain its agony. "Chaos Reigns"

The film’s most famous line, delivered by a disemboweled fox, serves as its thesis: "Chaos reigns." Von Trier argues against the comforting idea of a benevolent universe. In Antichrist, nature is "Satan’s church," a place where life exists only to consume other life. The cinematography shifts from the ethereal beauty of the prologue to a shaky, claustrophobic hand-held style, mirroring the characters' loss of control. Conclusion

Watching Antichrist is not an easy experience. It is a film that demands a strong stomach and an open, albeit dark, mind. By blending high-art aesthetics with "video nasty" provocations, Lars von Trier forces the audience to confront the darkest corners of human nature. It remains a masterpiece of the "unwatchable"—a film that lingers in the mind like a fever dream, insisting that beneath our civilized veneers, chaos is always waiting to take back the throne.

Film Antichrist (2009) , yang disutradarai oleh Lars von Trier, dapat ditonton melalui beberapa platform streaming legal berikut: MUBI: Tersedia untuk streaming dengan berlangganan di MUBI.

Kanopy: Anda bisa menontonnya secara gratis jika memiliki kartu perpustakaan atau akun universitas yang terdaftar di Kanopy.

Media Fisik: Film ini juga tersedia dalam format DVD atau Blu-ray melalui peritel seperti Amazon atau Barnes & Noble.

Perlu diingat bahwa film ini memiliki rating Dewasa (NC-17/R) karena kontennya yang sangat eksplisit dan mengandung unsur kekerasan grafis serta horor psikologis yang intens.

Apakah Anda mencari analisis cerita atau ulasan kritis mengenai film ini untuk menemani waktu menonton Anda?

Title: Descent into Madness: A Comprehensive Look at Lars von Trier’s Antichrist (2009)

Introduction Released in 2009, Antichrist is a psychological horror art film written and directed by the controversial Danish auteur Lars von Trier. Premiering at the Cannes Film Festival, the movie immediately divided critics and audiences, eliciting boos, walkouts, and a rare "anti-award" for its misogyny, while simultaneously earning a Best Actress award for Charlotte Gainsbourg.

It is a film that defies easy categorization—part grief drama, part surrealist nightmare, and part slasher. For those preparing to watch it, Antichrist is less a movie to be "enjoyed" and more an experience to be endured and analyzed.

The Premise: A Study in Grief The film is divided into four chapters: "Grief," "Pain (Chaos Reigns)," "Despair (Gynocide)," and "The Three Beggars."

The narrative follows an unnamed couple (credited simply as "He" and "She"), played by Willem Dafoe and Charlotte Gainsbourg. The prologue depicts the tragic death of their toddler son, Nic, who falls from a window while the parents are engaged in a passionate sexual act.

The remainder of the film explores the aftermath. "He," a therapist, attempts to treat his wife’s overwhelming grief through cognitive therapy. Against his better judgment, he forces her to confront her deepest fear, which leads them to retreat to an isolated cabin in the woods called "Eden."

Themes and Symbolism Antichrist is dense with symbolism, inviting multiple interpretations:

  1. Nature as the Antagonist: The film posits the natural world not as a serene backdrop, but as a cruel, chaotic force. Von Trier utilizes stark imagery of animals—a deer with a stillborn fawn, a self-disemboweling fox, and a talking crow—to represent the indifference and savagery of nature.
  2. Gender and History: The film engages with the concept of "Gynocide." In the cabin, the wife has been researching the history of witch hunts, eventually concluding that women were persecuted not because they were witches, but because they were women. The film blurs the line between the historical oppression of women and the wife’s internal descent into violence, asking whether evil is inherent or created.
  3. Therapy vs. Confrontation: Dafoe’s character represents the arrogance of logic and rationality. He believes he can "fix" his wife’s emotional collapse through psychological exercises. The film serves as a critique of clinical detachment in the face of primal, raw human suffering.

Visual Style and Atmosphere Visually, Antichrist is stunning and harrowing.

The Controversy It is impossible to write about Antichrist without addressing its graphic content. The film features scenes of extreme sexual violence and self-mutilation. These scenes are not gratuitous in the traditional horror sense; they are designed to viscerally communicate the couple's self-loathing and psychological disintegration. However, they are incredibly difficult to watch and have been the primary source of the film's notoriety.

Performance The film rests entirely on the shoulders of its two leads.

Conclusion: Who Should Watch This? Antichrist is a masterpiece of misery. It is a technical marvel and a profound exploration of depression, guilt, and gender dynamics. However, it is strictly for mature audiences with a high tolerance for disturbing imagery.

Viewing Guide:

Finding a platform to stream Antichrist in Indonesia can be difficult due to local censorship and licensing. Below are the most reliable legal methods:

Lars von Trier’s Antichrist (2009) is less of a movie and more of an endurance test for the soul. If you are looking to "nonton" (watch) this, be warned: it is a beautiful, traumatic, and deeply polarizing piece of art-house horror that stays with you long after the credits roll. The Plot: Grief Gone Primal

The film follows a grieving couple—referred to only as "He" (Willem Dafoe) and "She" (Charlotte Gainsbourg)—who retreat to a cabin in the woods named "Eden" after the tragic death of their infant son. He is a therapist who unwisely decides to treat his own wife's mounting despair. What begins as a study of mourning quickly devolves into a nightmare of sexual violence, self-mutilation, and the terrifying idea that nature is "Satan’s church." The Visuals: A Gruesome Masterpiece

Visually, the film is staggering. The prologue, shot in extreme slow-motion to the sound of Handel, is one of the most hauntingly beautiful sequences in cinema history. Von Trier uses "Eden" not as a paradise, but as a suffocating, rotting environment where the very ground seems to pulse with malevolence. Performance: Fearless Acting

Charlotte Gainsbourg: Her performance is nothing short of heroic. She embodies a woman losing her grip on reality with a raw, terrifying intensity that earned her the Best Actress award at Cannes. Watching (nonton) Antichrist (2009) , directed by Lars

Willem Dafoe: He provides a grounded, albeit clinical, counterpoint to Gainsbourg’s chaos, though his character’s arrogance eventually becomes his undoing. The Verdict: To Watch or Not?

The Good: Breathtaking cinematography, profound themes of guilt and misogyny, and performances that push human limits.

The Bad: It is notoriously graphic. There are scenes involving genital mutilation that are genuinely difficult to watch even for seasoned horror fans.

The Bottom Line: Antichrist is a masterpiece for those who view film as a provocative medium meant to challenge and disturb. However, if you prefer your movies to be "entertainment," stay far away from this one. AI responses may include mistakes. Learn more

Lars von Trier’s Antichrist (2009) is less a traditional horror film and more an immersive descent into the "psychology of the abyss." It is a visceral exploration of grief, the inherent "evil" of nature, and the collapse of the rational mind when faced with unimaginable guilt. The Premise: Chaos Reigns

The film begins with a stunning, slow-motion black-and-white prologue where a young child falls to his death while his parents (played by Willem Dafoe and Charlotte Gainsbourg) are preoccupied with lovemaking. This sets the stage for a narrative built on the tension between creation and destruction Key Themes and Symbols

The movie is divided into chapters that function like a dark fairy tale or a religious allegory: Nature as "Satan's Church" : Unlike most films that view nature as healing, Antichrist

presents the woods (named "Eden") as a place of rot and cruelty. As the female protagonist descends into madness, she declares that "Nature is Satan’s Church," viewing the natural world as a chaotic, indifferent force that mirrors her internal decay. The Three Beggars : The film uses the symbolic figures of the Deer (Grief) Fox (Pain/Chaos) Crow (Despair) . When the fox famously utters the line "Chaos reigns,"

it signals the moment where human logic (represented by Dafoe’s therapist character) completely fails to contain the raw, primal forces of the psyche. The War of the Sexes

: Von Trier explores a deeply controversial take on gender, pitting the "rational" male (He) against the "emotional/natural" female (She). The film examines the historical persecution of women as "witches" and links it to the protagonist's own self-loathing and belief that her nature is inherently evil. The "Deep" Perspective Antichrist

was written by von Trier during a period of heavy depression, and that atmosphere permeates every frame. It is a confrontational work

designed to provoke a physical reaction. The extreme graphic violence (specifically the self-mutilation scenes) is often interpreted as an externalization of internal psychic pain—the only way the characters can "fix" or "punish" the parts of themselves they can no longer control. Ultimately, the film suggests that Eden is not a paradise lost, but a nightmare realized

, where the "Antichrist" is not a literal demon, but the nihilistic realization that there is no divine order—only the cruel, reproductive cycle of nature.

For a deeper dive into the film's production and the director's intent, you can check the official Antichrist page on MUBI or read critical analyses from The Criterion Collection further, or perhaps the controversy surrounding its release at Cannes?

Antichrist (2009) adalah salah satu film paling kontroversial dalam sejarah sinema modern. Disutradarai oleh sineas Denmark, Lars von Trier, film ini memicu perdebatan sengit sejak penayangan perdana di Cannes Film Festival. Bagi Anda yang berniat untuk nonton Antichrist -2009-, penting untuk memahami bahwa ini bukanlah film horor konvensional, melainkan sebuah eksplorasi psikologis yang ekstrem tentang duka, rasa bersalah, dan kegelapan sifat manusia. Sinopsis Singkat: Tragedi di "Eden"

Cerita berfokus pada pasangan suami istri tanpa nama, yang diperankan oleh Willem Dafoe (He) dan Charlotte Gainsbourg (She). Film dibuka dengan adegan hitam-putih yang lambat dan artistik, di mana anak balita mereka jatuh dari jendela hingga tewas saat mereka sedang berhubungan seks di ruangan lain.

Didera duka yang mendalam, sang suami—seorang psikiater—memutuskan untuk mengobati istrinya sendiri. Mereka pergi ke sebuah pondok terpencil di hutan yang mereka sebut "Eden". Namun, alih-alih menemukan ketenangan, kondisi psikologis sang istri justru semakin memburuk, memicu serangkaian kejadian sadis, mutilasi diri, dan kekerasan seksual yang mengerikan. Mengapa Film Ini Sangat Kontroversial?

Film ini membagi penonton menjadi dua kubu ekstrem: mereka yang menganggapnya sebagai mahakarya seni dan mereka yang mengutuknya sebagai karya misoginis dan menjijikkan.

Antichrist is the first installment in von Trier’s "Depression Trilogy." It follows an unnamed couple (He and She) who retreat to a cabin in the woods named "Eden" following the accidental death of their infant son. The film is notorious for its graphic violence and explicit imagery, but beneath the shock value lies a complex study of the human psyche. Key Themes for Analysis

Grief and Guilt: The central conflict stems from the couple's inability to process loss. The husband (a therapist) attempts to treat his wife using cognitive behavioral therapy, which creates a dangerous power imbalance. This intellectual approach to a Primal emotion leads to the film's eventual collapse into chaos.

Nature as Evil: Unlike many films that portray nature as a place of healing, Antichrist posits that "Nature is Satan’s church." The forest is depicted as a chaotic, predatory space that mirrors the characters' internal decay.

The Struggle of the Sexes: According to analysis from Virtual Borderland, the film explores the clash between masculine logic and feminine "nature." As the plot progresses, the wife (She) begins to embrace a historical, dark view of femininity rooted in witchcraft and suffering. Visual Symbolism Interpretation The Three Beggars

Represented by the Deer (Grief), the Fox (Pain), and the Crow (Despair). Their appearance signals that "Chaos reigns." Eden

Ironically named; instead of a paradise, it is the site of the fall and ultimate destruction. The Acorns

The constant sound of acorns hitting the roof represents the relentless, indifferent rhythm of nature and the passage of time. Critical Reception

Upon its release, the film polarized audiences. As noted on Wikipedia, it received both the Best Actress award at Cannes for Charlotte Gainsbourg and an "anti-award" from the ecumenical jury for its perceived misogyny. Critics often debate whether the film is a critique of misogyny or a product of it. Conclusion

Antichrist is a challenging work that uses the "supernatural horror" genre—as described by Simple English Wikipedia—to dig into the darkest corners of the human mind. It suggests that when logic fails to contain grief, the resulting explosion of "nature" is both terrifying and absolute. Nature as the Antagonist: The film posits the

Menonton film Antichrist (2009) membutuhkan kesiapan mental karena kontennya yang sangat ekstrem dan kontroversial. Berikut adalah panduan lengkap untuk mengakses dan memahami film ini. Tempat Menonton (Streaming & Sewa)

Film ini tersedia di beberapa platform internasional. Pastikan Anda memiliki akun atau berlangganan layanan tersebut: : Tersedia di platform yang sering menayangkan film-film Prime Video : Dapat ditonton melalui Prime Video dengan opsi sewa atau melalui kanal tambahan seperti MUBI. JustWatch Indonesia

untuk mengecek ketersediaan terbaru di layanan streaming lain di wilayah Indonesia. Peringatan Konten (Sangat Penting) Film ini memiliki rating karena mengandung konten yang sangat mengganggu:

Di Mana Bisa Nonton Antichrist (2009) Legal?

Karena sifatnya yang eksplisit, film ini jarang masuk sensor LSF di Indonesia. Namun, untuk menonton secara legal (dan mendukung pembuat film), Anda bisa mengakses:

Disclaimer: Hindari situs ilegal dengan kualitas VCD atau teks bahasa Rusia. Film seperti Antichrist sangat mengandalkan komposisi visual dan audio. Menonton versi bajakan dengan kualitas buruk akan merusak pengalaman "penyiksaan artistik" yang coba diberikan Von Trier.

2. Sinematografi yang Hipnotis

Jika Anda menonton Antichrist untuk aspek teknis, Anda akan melihat keindahan yang menyiksa. DoP Anthony Dod Mantle menggunakan kamera digital grainy untuk menciptakan suasana klaustrofobia. Adegan prolog yang lambat, kontras dengan bagian kedua yang kacau. Warna hitam-putih bergeser ke warna cokelat suram yang disebut "Teknik Eden".

Kesimpulan: Apakah Anda Perlu Nonton Antichrist (2009)?

Jawabannya: Tergantung. Jika Anda adalah mahasiswa film, sinefil, atau penggemar berat cinema of transgression (sinema pelanggaran), maka wajib nonton. Ini adalah studi kasus tentang bagaimana rasa sakit bisa difilmkan.

Namun, jika Anda hanya ingin hiburan di akhir pekan, jauhkan remote Anda. Biarkan Antichrist tetap sebagai legenda urban sinematik yang Anda baca ulasannya daripada Anda tonton langsung.

Ingat, ada perbedaan antara mampu menonton dan perlu menonton. Jika Anda sudah memutuskan, siapkan diri untuk berjalan melewati kegelapan "Eden" dan keluar sebagai orang yang berbeda.

Selamat menonton (dengan risiko Anda sendiri).

Apakah Anda sudah pernah nonton Antichrist -2009-? Bagikan pengalaman Anda di kolom komentar! (Tapi jangan tulis deskripsi adegan grafisnya, karena kami peduli pada kesehatan mental pembaca lain).

Title: A Descent into Madness: Unpacking the Psychological Horror of "Antichrist" (2009)

Introduction

Directed by Lars von Trier, "Antichrist" is a psychological horror film that defies conventions and pushes the boundaries of cinematic storytelling. Released in 2009, the movie follows a grieving couple, Elisabeth (Charlotte Gainsbourg) and Werner (Willem Dafoe), as they navigate the dark and twisted aftermath of their son's tragic death. In this blog post, we'll delve into the themes, symbolism, and cinematic techniques that make "Antichrist" a thought-provoking and unsettling viewing experience.

The Tragic Backstory

The film opens with a devastating scene: a young couple, Elisabeth and Werner, are mourning the loss of their infant son, Nicholas. The tragedy sets off a chain reaction of emotions, as the couple's grief and guilt slowly consume them. As they try to cope with their loss, they embark on a journey to the remote cabin where they spent happy times with their son. However, their retreat into isolation only serves to intensify their emotions, leading to a downward spiral of despair and madness.

Exploring Themes of Grief and Trauma

Through the lens of Elisabeth and Werner's story, von Trier explores the complexities of human emotions, particularly in the face of unimaginable tragedy. The film's portrayal of grief is raw and unflinching, capturing the all-consuming nature of loss and the destructive power of unchecked emotions. As the story unfolds, the lines between reality and fantasy blur, and the audience is left questioning what is real and what is a manifestation of the characters' fragile mental states.

Symbolism and Cinematic Techniques

One of the most striking aspects of "Antichrist" is its use of symbolism and cinematic techniques to convey the characters' inner turmoil. The film's stark, naturalistic aesthetic, combined with its jarring sound design, creates a sense of unease and discomfort. The use of vivid colors, particularly red, serves to heighten the sense of tension and foreboding. Von Trier's direction is deliberate and measured, using long takes and close-ups to immerse the viewer in the characters' emotional struggles.

A Performance-Driven Narrative

The performances of Charlotte Gainsbourg and Willem Dafoe are central to the film's success. Their portrayals of Elisabeth and Werner are intense and nuanced, capturing the complexity of their characters' emotions as they navigate the darkest corners of their minds. The chemistry between the two leads is palpable, and their performances are both captivating and heartbreaking.

Conclusion

"Antichrist" is a challenging and thought-provoking film that will leave viewers questioning the very fabric of human emotions. Through its exploration of grief, trauma, and the complexities of the human psyche, von Trier's masterpiece offers a cinematic experience like no other. If you're a fan of psychological horror or are simply looking for a film that will push you out of your comfort zone, "Antichrist" is a must-watch.

Rating: 4.5/5 stars

Recommendation: If you enjoy films that challenge your emotional and psychological limits, "Antichrist" is a must-watch. However, if you're sensitive to graphic content, including scenes of graphic violence and disturbing imagery, viewer discretion is advised.

3. Nature as Satanic

The title Antichrist does not refer to the biblical figure. It refers to the absence of God. In Eden (the cabin), nature is not beautiful; it is predatory, cruel, and Satanic. Von Trier inverts the classic romantic view of nature. Here, the natural world is a factory of suffering.

Why is Everyone Talking About This Film?

Released in 2009, Antichrist stars Willem Dafoe and Charlotte Gainsbourg as simply "He" and "She." Following the tragic death of their infant son (shown in a slow-motion prologue of devastating beauty), the couple retreats to a cabin in the woods called Eden. What begins as grief therapy descends into psychological torture, violent misogyny, and supernatural horror.

The film famously caused a sensation at the 2009 Cannes Film Festival, where it was called "the most disturbing film in the history of the festival." Gainsbourg won Best Actress for her role, despite many critics walking out of the screening.