The New Trolls' Concerto Grosso N. 1 (1971) and (1976) are landmark recordings of Italian Progressive Rock, famously blending classical baroque structures with rock instrumentation through the compositions of Luis Enriquez Bacalov High-quality
(Free Lossless Audio Codec) versions are favored by audiophiles to preserve the intricate orchestral textures and dynamic range of these recordings. Concerto Grosso Tracklist Overview Many CD reissues, such as those from Fonit Cetra Warner Fonit , combine both concertos into a single release. New Trolls – Concerto Grosso N. 1 E N. 2 - Discogs
The New Trolls' Concerto Grosso N. 1 & N. 2 represent a foundational pillar of Italian Progressive Rock (Rock Progressivo Italiano or RPI), marking a historic fusion of 18th-century Baroque structures with 19th-century heavy rock. These albums are frequently found in high-fidelity FLAC formats due to their complex orchestral arrangements and dynamic range, which require lossless quality to appreciate fully. Concerto Grosso Per I New Trolls (N. 1) - 1971
Released in 1971, this album is considered a "turning point" for the Italian scene, predating the genre's massive explosion. It was created as the soundtrack for the film La Vittima Designata.
Musical Structure: The A-side features a suite composed and conducted by Luis Enríquez Bacalov, known for his cinematic work. It follows a classical "concerto grosso" format—alternating between an orchestral "tutti" and the rock group as the "concertino". Tracklist Highlights: new trolls concerto grosso n1 e n2 flac s top
1° Tempo: Allegro: Features a counterpoint between violins and flute, eventually replaced by distorted guitar.
2° Tempo: Adagio (Shadows): A dramatic movement with nostalgic vocals (in English) and haunting strings.
3° Tempo: Cadenza - Andante con moto: Opens with a virtuoso violin solo reminiscent of Vivaldi before the full band joins in.
4° Tempo: Shadows (per Jimi Hendrix): A heavy psych/blues movement serving as a tribute to Hendrix, featuring unhinged guitar work by Nico Di Palo. The New Trolls' Concerto Grosso N
The B-Side: Occupied entirely by "Nella Sala Vuota," a 20-minute live studio improvisation that showcases the band's technical skill and features a lengthy drum solo. New Trolls - Concerto Grosso N.1 e N.2 (1971, 1976)
For the purpose of this treatise, let's assume you're interested in exploring Vivaldi's "Concerto Grosso" in a general sense, as his works are renowned and frequently referenced in classical music.
In 1971, New Trolls—already famous for their beat and psychedelic rock—collaborated with composer Luis Bacalov. The result was Concerto Grosso per i New Trolls. The structure mimics a Baroque concerto grosso (a small group of soloists against a full orchestra), but instead of violins and harpsichords, the soloists are electric guitars, basses, and drums.
Key Tracks (N.1):
| Feature | FLAC (16-bit/44.1kHz or 24/96) | MP3 320 kbps | Streaming AAC | |---------|--------------------------------|--------------|----------------| | Dynamic range (DR) retention | Full DR (e.g., peaks at -0.1 dB) | Reduced transient response (>5 dB loss) | Variable, typically >3 dB compression | | Guitar harmonics (12 kHz+) | Fully preserved | Low-pass filtered at ~16 kHz | Roll-off above 18 kHz | | Orchestra separation (L-R imaging) | Phase-accurate | Smearing in complex passages | Moderate crosstalk |
In No. 1, Adagio, the FLAC encodes the decay of guitar feedback into the string pizzicato – lost in lossy codecs as pre-echo or truncation.
For years, fans tolerated vinyl rips, compressed MP3s (128 or 256 kbps), and poorly remastered CDs. The dynamic range of these albums—from a whisper of a cello to a screaming Marshall stack—was constantly flattened. Enter FLAC (Free Lossless Audio Codec). FLAC preserves every single bit of the original master without loss. When you see "FLAC S-Top," you are looking at a very specific standard: