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Maximum The Hormone Discography 20012011 Flac Full Verified < 2K 2025 >

Between 2001 and 2011, Maximum the Hormone (MTH) transitioned from an underground nu-metal act into a dominant force in Japanese rock, fueled by their signature blend of hardcore punk, funk metal, and pop melodies. This era includes their most iconic releases, many of which achieved Gold certification in Japan. Core Discography (2001–2011)

The following list comprises the primary studio albums and EPs released during this decade:

Ootori (Ho) (EP, 2001): An early seven-track release under Sky Records that helped build their initial fanbase.

Mimi Kajiru (EP, 2002): Featuring fan favorites like "Nigireeeeeeeee!!", this EP was later re-recorded in 2015 as Mimi Kajiru Shinuchi.

Kusoban (Album, 2004): Their first full-length effort of the era, which solidified their "cottelee" (heavy/rich) sound.

Rokkinpo Goroshi (Album, 2005): The band's first Top 40 breakthrough on the Oricon charts, featuring the track "Rolling 1000toon".

Bu-ikikaesu (Album, 2007): Their most commercially successful era, peaking at Number 5 on the Oricon charts. It includes the Death Note anime themes "What's up, people?!" and "Zetsubou Billy".

Greatest the Hits 2011–2011 (Triple A-side Single, 2011): A major release that topped the charts and preceded their 2013 platinum album Yoshu Fukushu. Notable Singles & Tracks

Many of the band's most recognizable tracks from this period were released as singles before being compiled into later albums: MAXIMUM THE HORMONE -Official English Website-

The words are mostly Japanese and are very well placed and make songs rhythmical and streamy. And this makes Maximum The Hormone ( Maximum the Hormone official website Rokkinpo Goroshi

Technical Notes for Collectors

1. Sourcing FLACs: Original Japanese pressings are the standard for lossless audio. Unlike Western bands, MTH's discography has fewer "Remasters." The "Deluxe Editions" are generally rare. When acquiring FLACs, look for logs and cue files generated by Exact Audio Copy (EAC) or XLD to ensure the rip is error-free.

2. Loudness Wars: Maximum the Hormone is known for being part of the "Loudness War"—their albums are mastered to be incredibly loud.

3. Organizing the Archive: A "Full Discography" for this specific timeframe (2001-2011) should be organized as follows:

Summary: If you are downloading or ripping this, Buiikikaesu and Rōman are the priority. These two albums define the band's sound and contain the most intricate instrumentals that justify the storage space of FLAC files.

The period between 2001 and 2011 covers the transformation of Maximum the Hormone

from an underground act into one of Japan's most successful heavy metal and hardcore punk bands

. This decade saw the release of their most iconic work, characterized by a wild mix of nu-metal, funk, and pop. Discography Overview (2001–2011)

The following major releases define their sound during this era:

(2001): A mini-album that helped establish their early fanbase. Mimi Kajiru

(2002): An EP featuring their developing aggressive yet melodic style.

(2004): Their second full-length album, marking further evolution in their genre-blending sound. Rokkinpo Goroshi

(2005): Their first album to break into the Oricon Top 40, peaking at #27. Buiikikaesu (2007): Widely considered their best-known work

, certified gold and reaching #5 on charts. It features the famous Death Note tracks "What's Up, People?!" and "Zetsubou Billy". Greatest the Hits 2011–2011

(2011): A triple-sided single/EP that debuted at #1 on the Oricon weekly singles chart. Википедия Era Review: "Polished Chaos"

Reviewers and fans generally view this decade as the band's golden age of creativity.

Maximum the Hormone’s output between 2001 and 2011 represents the band's transformation from a niche punk act into a global nu-metal and hardcore powerhouse. This decade saw the perfection of their "Eclectic Hardcore" style: a chaotic blend of pop melodies, funk basslines, and brutal death metal vocals. 💿 Major Discography (2001–2011) Hō (2001)

The first release featuring the "classic" lineup. It leans heavily into punk rock with early hints of their genre-mashing future. Key Tracks: Love-ari-ban-ban Raw, energetic, foundational. Mimi Kajiru (2002)

A mini-album that solidified their heavier direction. It introduced more complex vocal interplay between Daisuke-han and Ryo-kun. Key Tracks: Policeman Benz Nigre-tsu!! Aggressive, experimental, playful. Kusoban (2004)

The turning point. The production quality improved significantly, and the songs became more technical and catchy. Key Tracks: Koi no Sweet Kusomerken Seishun Age Funky, high-speed, polished. Rokkinpo Goroshi (2005)

Their first major commercial breakthrough. This album established them as masters of the "transition"—switching from idol-pop hooks to sludge metal in seconds. Key Tracks: Rokkinpo Goroshi Falling Jimmy Iconic, heavy, unpredictable. Buiikikaesu (2007)

The band's magnum opus and most famous work. It gained massive international fame due to its association with the anime Death Note Key Tracks: What's Up, People?! Zetsu-bou Billy Chu Chu Lovely Legendary, chaotic, masterpiece. Greatest the Hits 2011–2011 (2011)

Despite the name, this is a triple A-side single release. It marked their return after a long hiatus due to Daisuke-han's throat surgery. Key Tracks: Maximum the Hormone Technical, bizarre, triumphant. 🔊 FLAC & Audio Quality

For collectors seeking FLAC (Free Lossless Audio Codec) versions of these records: Dynamic Range:

These albums are notoriously "loud" (highly compressed), but FLAC preserves the punchy low-end of Nao's drums and Ue-chan's slap bass. Vocal Separation: maximum the hormone discography 20012011 flac full

Lossless audio makes it easier to distinguish the four distinct vocal styles used across the tracks. 💡 Why This Era Matters Genre Defiance:

They proved metal could be funny and danceable without losing its "edge." Cultural Impact:

They became the face of Japanese alternative music in the West during the mid-2000s. The Lineup:

The chemistry between the Kawakita siblings (Ryo and Nao) reached its creative peak here. analysis of the lyrics (which are often hidden in clever wordplay)? live DVD performances from this era to watch? Recommendations for similar bands in the Japanese "Manic" hardcore scene? Let me know how you'd like to explore their sound

About Maximum the Hormone

Maximum the Hormone is a Japanese rock band formed in 1997 in Hokkaido, Japan. The band consists of five members:

The band's music style is a mix of punk, rock, and pop, known for their energetic live performances and catchy songs.

Discography (2001-2011)

Here's a list of Maximum the Hormone's discography from 2001 to 2011:

  1. A.S.A.T.O.R.I. (2001)
    • Released on November 21, 2001
    • Label: Toy's Factory
  2. Habu (2002)
    • Released on March 6, 2002
    • Label: Toy's Factory
  3. Utsukushi (2003)
    • Released on March 5, 2003
    • Label: Toy's Factory
  4. Kusibiki no Moto (2004)
    • Released on March 17, 2004
    • Label: Toy's Factory
  5. Bui Bui Bui (2005)
    • Released on March 16, 2005
    • Label: Toy's Factory
  6. The Melancholy of Maximum the Hormone (2005)
    • Released on November 23, 2005
    • Label: Toy's Factory
  7. Delicious (2007)
    • Released on March 7, 2007
    • Label: Toy's Factory
  8. Go!! (2008)
    • Released on November 5, 2008
    • Label: Toy's Factory
  9. Present for Japanese Kids (2010)
    • Released on March 31, 2010
    • Label: Toy's Factory

FLAC Format

FLAC (Free Lossless Audio Codec) is a lossless audio format, which means that it preserves the original audio data without any loss of quality. If you're looking for Maximum the Hormone's discography in FLAC format, you might be interested in purchasing their albums from online music stores like Amazon Music, Google Play Music, or Deezer, which offer high-quality audio streaming and downloads.

Full Discography Download

As for downloading the full discography, I must remind you that copyright laws vary by country, and it's essential to respect the rights of artists and record labels. Instead of looking for pirated or unofficial sources, consider purchasing their albums from official online stores or attending their live concerts to support the band.

If you're interested in exploring more of their music, I recommend checking out their official website or social media channels for updates on their latest releases, tours, and merchandise.

Maximum the Hormone: A Deep Dive into the 2001-2011 FLAC Discography

Maximum the Hormone (MTH) is not just a band; it is a sonic assault that defies the boundaries of punk, metal, hardcore, and pop. For audiophiles and collectors, tracking down the "Maximum the Hormone discography 2001-2011 FLAC full" collection is the ultimate way to experience the band’s most transformative decade. During these ten years, the quartet evolved from underground legends to international icons, fueled by their appearance on the Death Note soundtrack and their chaotic, high-energy live shows.

To truly appreciate this era in lossless quality, one must understand the evolution of their sound through their major releases. The Foundation: Mimi Kajiru (2002) and Kusoban (2004)

While the band formed in the late 90s, the 2001-2011 window captures the "classic" lineup’s rise to power. The 2002 EP Mimi Kajiru introduced the world to the vocal interplay between Daisuke-han’s screams, Maximum the Ryo-kun’s melodic grit, and Nao’s surprisingly sweet pop vocals.

By 2004’s Kusoban, the band began leaning harder into the "nu-metal meets J-pop" aesthetic. In a FLAC format, the separation between Ue-chan’s slap-heavy bass lines and the frantic drum fills is crystal clear. This record proved that MTH could be heavy, hilarious, and catchy all within a single three-minute track. The Breakthrough: Rokkinpo Goroshi (2005)

Rokkinpo Goroshi is often cited as the gateway album for many fans. It refined their "Chure-Chure" style—a chaotic blend of funk, thrash, and pop-punk. The title track and "Rolling 1000toon" (used in the Air Master anime) showcase the band’s ability to pivot from a brutal mosh pit rhythm to a sugary chorus without losing momentum.

Listening to this album in 16-bit or 24-bit FLAC allows the listener to hear the layers of Ryo-kun’s guitar production, which became significantly more polished and aggressive during this period. The Magnum Opus: Buiikigasu (2007)

If there is one essential piece of the 2001-2011 discography, it is Buiikigasu. This album propelled Maximum the Hormone into the global spotlight, largely thanks to the tracks "What's Up, People?!" and "Zetsubou Billy," which served as the opening and ending themes for the Death Note anime.

Buiikigasu is a masterpiece of dynamic shifts. The production is massive, and the FLAC files preserve the "air" around Nao’s drums and the visceral punch of the low-end frequencies. From the rap-metal stylings of "Chu Chu Lovely Muni Muni Mura Mura" to the grindcore bursts of "Policeman Benz," the album is a relentless rollercoaster.

The Greatest Hits Era: Yoshu Fukushu and the Singles (2008-2011)

Following the massive success of Buiikigasu, the band took their time, releasing high-impact singles and DVDs. The 2008 single "Tsume Tsume Tsume" showed a band at the peak of their technical powers, blending intricate jazz-fusion-inspired sections with crushing metalcore breakdowns.

By 2011, the band released the "Greatest the Hits 2011-2011," which included the instant classic "A-L-I-E-N." This track serves as a bridge to their later, even more experimental work. For fans collecting the FLAC discography, these singles are vital because they often contain B-sides and "hidden" tracks that are just as experimental as their album counterparts. Why Choose FLAC for Maximum the Hormone?

Maximum the Hormone’s music is incredibly dense. A typical track might feature four different vocal styles, slap bass, double-kick drumming, and heavily layered guitars. Standard MP3 compression often "smears" these frequencies together, leading to a muddy listening experience. Lossless FLAC files ensure:

Dynamic Range: You feel the impact when the band drops from a quiet verse into a wall of sound.

Bass Clarity: Ue-chan is one of the most underrated bassists in metal; FLAC highlights every "pop" and "slap" of his strings.

Vocal Layering: You can clearly distinguish the chaotic banter and multi-tracked harmonies that give MTH their unique personality. Conclusion

The 2001-2011 era of Maximum the Hormone represents a gold standard in Japanese alternative metal. Whether you are revisiting the Death Note anthems or diving into the deep cuts of their early EPs, securing the full discography in FLAC is the only way to do justice to Ryo-kun’s meticulous songwriting and the band’s raw energy. It is a decade of music that remains as loud, weird, and essential today as it was when it first hit the shelves.

Maximum the Hormone Discography 2001-2011 FLAC Full: A Comprehensive Guide

Maximum the Hormone is a Japanese rock band known for their unique blend of heavy metal, hard rock, and pop music. Formed in 2001, the band has released a string of successful albums, EPs, and singles over the years, earning a dedicated fan base in Japan and worldwide. In this article, we'll take a closer look at Maximum the Hormone's discography from 2001 to 2011, focusing on their studio albums, EPs, and singles, and provide information on how to access their music in high-quality FLAC format. Between 2001 and 2011, Maximum the Hormone (MTH)

Early Years (2001-2003)

Maximum the Hormone was formed in 2001 by vocalist Daisuke Akiyama, guitarist Ryohei Ota, bassist Nao, and drummer Satoshi Ishibashi. The band's early sound was characterized by their energetic live performances and catchy, pop-infused rock songs. In 2001, they released their debut EP, "Maximum the Hormone", which gained moderate attention in the Japanese music scene.

Breakthrough and Mainstream Success (2004-2006)

The band's breakthrough came in 2004 with the release of their second EP, "A.S.A.Tsu", which featured the hit single "P.U.N.K. ~Rock . . . (Japanese title)". The EP's success led to a record deal with Sony Music Japan, and in 2005, they released their debut full-length album, "Afilia", which reached the top 30 on the Japanese Oricon charts.

Lineup Changes and Musical Evolution (2007-2009)

In 2006, the band underwent a lineup change with the departure of guitarist Ryohei Ota and the addition of new guitarist, Shin. This change marked a significant shift in their musical style, as they began to incorporate more heavy metal and hard rock elements into their sound. Their 2007 album, "GIMME!!", was a commercial success, featuring the hit singles "D.M.X." and "GIMME!!".

Critical Acclaim and International Recognition (2010-2011)

The band's 2010 album, "B.S. ~Beni Shoga Tsunda~", received critical acclaim from Japanese music critics, with many praising their bold experimentation with different genres. The album featured the hit singles "Beni Shoga Tsunda" and "Ichirin".

Discography: Maximum the Hormone 2001-2011

Here is a list of Maximum the Hormone's studio albums, EPs, and singles from 2001 to 2011:

FLAC Full Discography

For fans looking to access Maximum the Hormone's discography in high-quality FLAC format, there are several options:

Conclusion

Maximum the Hormone's discography from 2001 to 2011 is a testament to their innovative approach to rock music and their dedication to their fans. From their early days as a punk-rock band to their later experimentation with heavy metal and hard rock, they have consistently pushed the boundaries of Japanese rock music. With their music available in high-quality FLAC format, fans can now enjoy their favorite songs with unparalleled sound quality. Whether you're a seasoned fan or just discovering Maximum the Hormone, their discography is definitely worth exploring.

Maximum the Hormone (マキシマム ザ ホルモン) is a Japanese metal/hardcore punk band renowned for their eclectic blend of nu-metal, funk, and pop elements. The period between 2001 and 2011 marks their rise from indie favorites to chart-topping major label artists. Studio Albums & EPs (2001–2011)

During this decade, the band released several seminal works that established their "apeshit" sonic identity. Zetsubou Billy

Also, Zetsubou Billy comes close to the top. It was Nemophila's covers that got me into Maximum the Hormone. Zetsubou Billy Bu-ikikaesu

The Golden Age of Chaos: Maximum the Hormone (2001–2011) Between 2001 and 2011, Maximum the Hormone (MTH) evolved from an underground punk-metal hybrid into a global phenomenon. Known for their erratic shifts between brutal metalcore, funky slap bass, and sugary pop melodies, this decade defines their "classic" era. 💿 The Definitive 2001–2011 Discography

This era covers their transition from early indie releases to major-label dominance under Vap. Release Year Key Track(s) 2001 Hō (鳳) "Force," "Maximum the 21st Century" 2002 Mimi Kajiru (耳噛じる) "Abara Bob," "Policeman Benz" 2004 Kusoban (糞盤) "Koi no Sweet Kuso Meriken" 2005 Rock-impo Goroshi (ロッキンポ殺し) Full Album "Rolling 1000toon," "What's Up, People?!" 2007 Bu-ikikaesu (ぶっ生き返す) Full Album "Zetsubō Billy," "Buiikikaesu!!" 2011 Greatest the Hits 2011–2011 Maxi Single "Maximum the Hormone," "my girl" 🎸 Era Highlights & Deep Cuts The Breakthrough: Rock-impo Goroshi (2005)

This album was the band's first to crack the Oricon Top 40, peaking at number 27. It solidified their signature style—Daisuke-han’s piercing screams paired with Nao’s pop-punk vocals and Maximum the Ryo-kun’s heavy riffs. The track "What's Up, People?!" later became iconic as the second opening for the anime Death Note. The Masterpiece: Bu-ikikaesu (2007)

A certified Gold record in Japan, this album climbed to number 5 on the charts. It is widely considered their magnum opus, featuring the massive hits "Zetsubō Billy" and "Koi no Mega Lover". This record effectively bridged the gap between niche metal fans and the mainstream J-rock audience. The Playful Spirit: Greatest the Hits 2011–2011

Released as a triple A-side single, the title was a classic MTH joke—labeling a new release as a "Greatest Hits" for the year 2011 only. Despite being a single, it debuted at number 1 on the Oricon weekly chart, proving their immense popularity after a brief hiatus. 🎧 Why FLAC?

For a band with such complex production—rapid-fire slap bass by Ue-chan and layered vocal harmonies—listening in FLAC (Free Lossless Audio Codec) is essential. The high fidelity allows you to hear the nuance in Ryo-kun's crunching guitar tones and the clarity of Nao’s drumming that often gets compressed in standard MP3 formats. Want to go even deeper? I can help you: Breakdown the tracklists for each specific album. Find the Death Note or Air Master specific singles.

Explore their post-2011 work like the 2013 chart-topper Yoshū Fukushū. Hocho Hasami Cutter Knife Dosu Kiri

Maximum the Hormone (マキシマム ザ ホルモン) is a phenomenon that defies the standard laws of music genres. Combining the crushing weight of nu-metal, the lightning speed of hardcore punk, the infectious hooks of J-pop, and the chaotic energy of funk, the band has carved out a legacy as one of Japan’s most influential heavy acts. For collectors and audiophiles, the era between 2001 and 2011 represents the band's golden age of evolution.

Hunting for the Maximum the Hormone discography from 2001–2011 in FLAC (Free Lossless Audio Codec) isn't just about high-fidelity sound; it is about capturing the raw, uncompressed madness of a band hitting its creative peak. Why FLAC Matters for Maximum the Hormone

Maximum the Hormone's production is notoriously dense. With Ryo-kun’s complex guitar layers, Upper-kun’s slap-bass precision, and the dual-vocal assault of Daisuke-han and Nao, a standard MP3 often muddies the finer details.

Dynamic Range: FLAC preserves the "punch" of the kick drum and the "snap" of the bass.

Vocal Clarity: You can clearly distinguish between the guttural screams, melodic choruses, and rapid-fire rap sections.

Archival Quality: 2001–2011 covers the transition from underground favorites to international superstars; lossless files ensure these recordings never degrade. The Discography Breakdown: 2001–2011

This decade saw the band transform from the raw punk of Hō to the chart-topping brilliance of Buiikikaesu. 1. The Early Chaos (2001–2002)

Hō (鳳) (2001): This EP is essential for fans of their "old school" sound. It’s faster and more punk-oriented than their later work but already shows signs of their signature genre-mashing.

Mimi Kajiru (耳噛じる) (2002): A foundational record featuring early versions of tracks that would become live staples. 2. The Breakthrough (2004–2005) Effect on FLAC: While FLAC cannot fix a

Kusoban (糞盤) (2004): The experimentation begins to solidify. With tracks like "Koi no Sweet Kusomerken," the band proved they could balance humor with heavy riffs.

Rokukin (ロッキンポ殺し) (2005): This album is a masterclass in energy. It’s the sound of a band finding their footing on major labels without losing their soul. 3. Global Dominance (2007–2011)

Buiikikaesu (ぶいぃきかえす) (2007): Arguably their most famous work. Featuring "What's Up, People?!" and "Zetsubou Billy" (both used as Death Note themes), this album is a mandatory addition to any FLAC collection.

Greatest the Hits 2011–2011 (2011): Despite the name, this is a single/EP release that bridged the long gap between albums. It includes "Maximum the Hormone," a track that summarizes their entire identity in one song. What to Look for in a Full Discography Pack

When searching for a complete 2001–2011 FLAC archive, ensure it includes: Proper Metadata: Correct Kanji and Romaji titles.

Log/Cue Files: Evidence of a perfect rip from the original Japanese CDs.

High Bitrate: Typical FLAC files for this era should hover around 900–1100 kbps. The Verdict

Maximum the Hormone’s 2001–2011 run is a rollercoaster of sonic intensity. Whether it's the slap-bass funk of "Louisiana Bob" or the thrash metal of "Policeoman," hearing these tracks in lossless FLAC quality is the only way to truly appreciate the technical proficiency hidden behind the band’s eccentric exterior.

If you'd like to dive deeper into a specific part of their career, let me know: Album Analysis: Detailed track-by-track breakdowns?

Gear & Sound: How they achieve their unique guitar and bass tones?

Cultural Impact: Their influence on anime and the global metal scene?

Maximum the Hormone is a legendary Japanese metal/punk band known for their eccentric style and high-energy performances. If you are organizing a discography collection covering their peak years (2001–2011) in FLAC (Free Lossless Audio Codec) format, here is the essential content and metadata structure you need. 💿 Core Album Discography (2001–2011)

This period covers the band's rise from underground favorites to international icons. Hou (2001) The raw, early sound of the band. Key Tracks: "Force," "Anarchy in the Meiji." Mimi Kajiru (2002) The first EP featuring the "classic" lineup. Key Tracks: "Abara Bob," "Johnny Irony." Kusoban (2004) Introduces the funk-metal fusion they became famous for.

Key Tracks: "Koi no Sweet Kuso Meriken," "Boizu ando Gāru." Rokkinpo Goroshi (2005) The breakthrough album.

Key Tracks: "Rokkinpo Goroshi," "Houchou Hasami Cutter Knive Dosu Kiri." Buiikikaesu (2007) Their most famous work, featuring Death Note themes.

Key Tracks: "What's up, people?!", "Zetsubou Billy," "ChuChu Lovely MuniMuni MuraMura." 🎸 Essential Singles & EPs

Many of the band's best tracks were released as standalone singles during this decade. Bullpen Catcher's Dream (2002) Enzui Tsuki割 (2003) Rock-impo杀 (2005) Tsume Tsume Tsume / "F" (2008) "F" is famously inspired by the Dragon Ball villain Frieza. Greatest the Hits 2011–2011 (2011)

Despite the title, this is a single/EP featuring "鬱くしき人々のうた." 📂 Technical Specifications for FLAC Collections

To ensure the "Full FLAC" experience, include the following metadata and files: Audio Quality: 16-bit / 44.1kHz (Standard CD Rip).

Log/Cue Files: Include .log and .cue files to verify "AccurateRip" status. Naming Convention: [Year] Album Name [FLAC].

Artwork: High-resolution scans (600x600px minimum) of front, back, and lyric booklets.

Tags: Ensure Kanji and Romanized titles are both present in the metadata. ⚠️ Important Note on Availability

Maximum the Hormone is notorious for not putting their main discography on digital streaming platforms like Spotify or Apple Music. For fans, owning the high-quality FLAC files or physical CDs is often the only way to hear the studio versions of these songs.

If you are putting this collection together, I can help you: Translate Japanese tracklists into English or Romaji. Find the complete tracklisting for a specific rare single.

Explain the meaning/background behind specific lyrics or album titles.

4. Streaming – not FLAC, but high-quality alternatives

If you can’t buy FLAC but want lossless-ish quality:

None give you downloadable FLAC files, though.

6. Quick checklist for you

| Year | Release | Best FLAC source | |------|---------|------------------| | 2001 | Rock Impo Goroshi | CD only (rip yourself) | | 2002 | Kusoban | CD only | | 2004 | Rock Bankurawase / Minivan | OTOTOY (maybe) / CD rip | | 2007 | Bu-ikikaesu | Qobuz, OTOTOY | | 2011 | Mimi Kajiru Shinuchi | OTOTOY, e-onkyo |

Would you like help finding the exact OTOTOY or Qobuz links for the 2007 and 2011 albums?

Part 2: The Essential Releases (2001–2011) in FLAC

To have a "full" discography, you cannot miss these releases. Each is a step in their evolution. When searching for flac full, ensure your rip includes scans of the original booklets for the full experience.

Singles & B-Sides (FLAC)

Included to ensure a "Full" archive.

  1. Enzui Tsunawatari (2002) – Early single tracks.
  2. Niman Denetsu (2004) – Features tracks not on the EPs.
  3. Zetsubou Billy (2006) – Includes the B-side "Nanchuu Orusu."
  4. Koi no Sweet Kiseki (2007)
  5. Tsume Tsume Tsume / F (2008)
  6. Greatest The Hits 2011-2011 (2011) – Single release promoting the F album.

Early Years and Rise to Fame (2001-2004)

The early 2000s marked a pivotal time for Maximum the Hormone. Their major label debut, "Hormon," came out in 2001, but it was their 2002 album "A.S.I.C. (All Sex and All in the Circle)" that started to gain them more attention. However, it was "Mushroom Head" (2004) that catapulted them to a wider audience. This album showcased the band's ability to merge catchy hooks with aggressive riffs and eccentric lyrics, establishing their unique sound.