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Madaari (2016) – An Informative Review

6. Technical Aspects

| Aspect | Assessment | |--------|-------------| | Cinematography (Bobby) | Utilises a muted colour palette for the city’s bureaucratic spaces, contrasting with vibrant, chaotic sequences during the kidnapping. The use of handheld cameras during chase scenes adds immediacy. | | Music & Background Score | A. R. Rahman’s background score intensifies suspense, while Shankar‑Ehsaan‑Loy’s songs (e.g., “Jashn-e‑Bahara”) provide a lyrical pause, though the songs feel slightly disconnected from the thriller’s tone. | | Editing | Crisp editing maintains tension, especially in the final 20 minutes where every cut feels purposeful. Some transitional scenes could have been tighter. | | Sound Design | Realistic police radio chatter, city ambience, and subtle sound cues (e.g., ticking clocks) reinforce the urgency. | madaari20161080pbrripx264hindiaacetrg link

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