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This post likely refers to the 2015 Remastered Edition of Grace Jones' iconic 1985 album, Slave to the Rhythm
Here is a breakdown of what that release typically includes: The Format:
"FLAC" indicates a lossless audio format, meaning the file retains all the original data from the master recording for high-fidelity listening. The 2015 Remaster:
Produced by Trevor Horn, this version was updated for modern audio standards, cleaning up the sound while maintaining the album's signature experimental "interpretive" structure.
The album is unique because it consists of eight variations of the title track, interspersed with interviews and ambient soundscapes to create a single, continuous musical biography. similar high-fidelity funk and art-pop recommendations?
Grace Jones’ Slave to the Rhythm: The Alchemy of Rhythmic Obsession When Grace Jones
released Slave to the Rhythm in October 1985, it wasn't just another R&B album; it was a radical, high-concept "biography". Emerging from a three-year hiatus spent in Hollywood—starring in films like Conan the Destroyer and the James Bond epic A View to a Kill—Jones returned to the studio to create what would become her most commercially successful work. The Concept: A Masterclass in Variation
At its core, the album is a bold experiment in repetition. Rather than a collection of different songs, it consists of eight radical interpretations of the single title track. Produced by Trevor Horn, the legendary mind behind ZTT Records, the project was originally intended for Frankie Goes to Hollywood. Horn’s obsession with the track led to a production budget that ballooned to an eye-watering $385,000 USD as he and engineer Stephen Lipson recorded new versions nearly every week.
The album is structured as a sonic collage, weaving together:
Thematic Diversity: From the industrial punch of "Jones the Rhythm" to the nocturnal synths of "The Crossing". Grace Jones - Slave To The Rhythm -1985- 2015- -FLAC- BEST
Spoken Word Narrative: Interludes featuring interviews by journalist Paul Morley and excerpts from Jean-Paul Goude’s biography, Jungle Fever, read by actor Ian McShane.
Signature Style: A fusion of D.C.-style go-go beats, funk, and avant-garde pop. The 2015 Remaster: Restoring the Vision
This write-up explores the legacy of Grace Jones’ landmark 1985 album Slave to the Rhythm , specifically focusing on the high-fidelity 2015 remaster often sought by audiophiles in format for its superior clarity. The Concept: A Musical Biography Released on October 28, 1985, Slave to the Rhythm
is a "biographical" concept album produced by ZTT Records founder Trevor Horn
. Rather than a collection of different songs, the album consists of eight radical reinterpretations of a single title track. The Production
: Originally intended for Frankie Goes to Hollywood, the project was given to Jones and reportedly cost nearly $385,000 USD to produce—an astronomical sum at the time. The Narrative
: The tracks are interspersed with spoken-word excerpts from an interview with Jones conducted by Paul Morley and voice-overs by actor Ian McShane , who recites passages from Jean-Paul Goude’s biography Jungle Fever The 2015 Remaster (FLAC/Audiophile Edition) In July 2015, the French label Culture Factory
released a high-definition remaster of the album (Catalog #782 160). This version is the primary source for the "2015 FLAC" files found in "best of" digital collections. Technical Quality : The release features 96KHz/24-bit
high-definition remastering, designed to preserve the "original dynamics and true clarity" of Horn’s intricate production. Completeness This post likely refers to the 2015 Remastered
: Unlike many earlier CD versions which were abridged, the 2015 edition restores the original full-length vinyl versions and interview links.
: It was released as a limited edition (3,000 copies) "vinyl replica" mini-LP CD with an obi strip. Track Listing (Full Concept Version)
The 2015 remaster follows the original structure, where each track acts as a different facet of the same rhythmic theme: Jones the Rhythm The Fashion Show The Frog and the Princess Operattack Slave to the Rhythm The Crossing (Ooh the Action...) Don’t Cry – It’s Only the Rhythm Ladies and Gentlemen: Miss Grace Jones (The "Hit" Version) Why It's Considered "Best"
Trevor Horn’s production on this album is regarded as some of the finest in pop history, utilizing the Synclavier and Fairlight CMI
to create a lush, "crystal clear" funk sound. For listeners using high-end audio equipment, the
format from the 2015 remaster captures the massive dynamic range of the orchestra and the subtle nuances of Jones’ vocals that lossy formats like MP3 discard. iconic cover art by Jean-Paul Goude?
Grace Jones, Trevor Horn, and Slave to the Rhythm - Facebook
Released in the autumn of 1985, Slave to the Rhythm is not a conventional pop or dance album. It is a radical, postmodern, eight-track cycle that redefines what a “greatest hits” or “biographical” record could be. Conceived by the legendary production and songwriting team of Trevor Horn (Art of Noise, Yes, Frankie Goes to Hollywood), Bruce Woolley, Simon Darlow, and Stephen Lipson, the album uses a single central composition—"Slave to the Rhythm"—as its thematic and melodic backbone. Each of the eight tracks is a unique variation, reinterpretation, or live-sounding episode of that same core song, interwoven with spoken-word biographical monologues.
The result is a seamless, 60-minute audio film: part funk, part industrial, part orchestral pop, and wholly Grace Jones. It chronicles her journey from her childhood in Jamaica and Syracuse, New York, through her modeling career in Paris, her disco era, and her emergence as a fierce, androgynous, avant-garde icon. Overview: More Than an Album – A Biographical
Released in 1985, Slave To The Rhythm was not merely a pop album; it was a high-concept art project produced by the legendary Trevor Horn (known for his work with Frankie Goes to Hollywood and Yes). The album is a sonic biography of Jones, utilizing then-cutting-edge sampling, heavy synthesizer layering, and dense rhythmic textures.
While the vinyl original has a warmth beloved by purists, early CD pressings often suffered from the "Loudness Wars" of the 80s or lacked the dynamic range of modern mastering techniques. The original tracks were dense and aggressive, requiring a careful hand to translate properly to the modern digital era.
For audiophiles and collectors, the search for the "best" version of Grace Jones’ magnum opus often ends here. This write-up covers the 2015 remastered edition of Slave To The Rhythm, available in lossless FLAC. It represents the apex of digital audio transfer for an album that was arguably ahead of its time in production quality. If you are looking for the version with the deepest bass, the widest stereo separation, and the clearest vocal presence, the 2015 FLAC cut is the gold standard.
The original 1985 release, while sonically groundbreaking, suffered from the limitations of late-stage vinyl and early CD pressing technology. The dynamic range was often compressed, and the intricate layers of Horn’s production—the gated drums, the Fairlight CMI synthesizer textures, the live bass of Luis Jardim, and Jones’s multi-tracked vocals—could feel slightly veiled.
The 2015 Remaster (presented here as FLAC) is the definitive digital edition for discerning listeners. Remastered from the original master tapes (presumably by engineers with access to the pristine ¼” or DASH digital sources), this version offers:
A nuanced study of "Grace Jones — Slave to the Rhythm" (1985 releases, 2015 reissues, FLAC collectors’ perspectives)
If you own an original 1985 CD, keep it for posterity. But if you want to actually listen to the album on a decent sound system or high-end headphones, this is the version to own. The 2015 remaster bridges the gap between the analog warmth of the era and the pristine clarity of modern digital audio.
Standout Tracks on this Edition:
Technical Specs (Typical for this release):
This is the definitive digital archive for one of the 1980s' most innovative albums. Highly recommended.
