Faker Holic Ymo World Tour Live Rar May 2026

Looking for "Faker Holic: YMO World Tour Live" usually points to the legendary live recordings of Yellow Magic Orchestra (YMO) during their 1979 Transatlantic Tour.

If you are looking at a file named with ".rar," you are likely dealing with a compressed archive of this double-album. 1. What is "Faker Holic"?

Released in 1991, Faker Holic is a massive live document of YMO’s first world tour. It was released a decade after the tour to provide a "pure" version of those shows.

The "Unfiltered" Version: An earlier live album from this tour, Public Pressure (1980), famously removed guitarist Kazumi Watanabe’s parts due to record label disputes. Faker Holic restored his high-energy, fusion-style guitar solos.

Format: It is a double-CD set (Disc 1: London & Paris; Disc 2: New York). 2. Tracklist Highlights

The album covers the peak "Technopop" era of the band, featuring Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi. Disc 1 (London/Paris) Disc 2 (New York) Kang Tong Boy (feat. Akiko Yano) Behind the Mask Rocket Factory Technopolis Cosmic Surfin' 1000 Knives The End of Asia 3. Key Personnel

The Trio: Hosono (Bass), Sakamoto (Keyboards), Takahashi (Drums/Vocals).

The Support: Hideki Matsutake (the "fourth member" handling the massive Moog modular synths and programming).

Guests: Kazumi Watanabe on guitar and Akiko Yano on backing vocals and keyboards. 4. Why the ".rar" file?

If you've found this as a "rar" file on a forum or archive site:

Faker Holic: YMO World Tour Live a comprehensive live album by the Japanese electronic pioneers Yellow Magic Orchestra (YMO)

. Released in 1991, it documents the band's first major international performances during their 1979 Transatlantic Tour , covering legendary shows in London, Paris, and New York. Release and Format Initial Release: First released as a double CD on May 21, 1991 , in Japan via the Alfa Records US/Global Release: Remastered versions were later released by Restless Records in 1992 for the UK, Europe, and North America. Recording Locations: Disc 1 (London/Paris Side): Tracks from in London (October 16 & 24, 1979) and Théâtre Le Palace in Paris (October 18, 1979). Disc 2 (New York Side): Primarily recorded at The Bottom Line faker holic ymo world tour live rar

in New York City (November 6, 1979), with bonus material from the Greek Theatre in Los Angeles. Significance and Content The album is historically significant because it restores Kazumi Watanabe’s

original guitar parts, which had been mixed out and replaced by keyboards on the earlier 1980 live album Public Pressure due to contractual disputes between record labels. Key Tracks Included: Castalia / Rydeen / Behind the Mask (Live in London) Radio Junk / Insomnia / La Femme Chinoise (Live in Paris) Cosmic Surfin' / 1000 Knives / Tong Poo (Live in New York/LA) Kang Tong Boy (Featuring Akiko Yano on keyboards and backing vocals) Key Performers Haruomi Hosono: Bass, Production Ryuichi Sakamoto: Yukihiro Takahashi: Drums, Vocals Kazumi Watanabe: Guitar (Restored for this release) Akiko Yano: Keyboards, Backing Vocals Hideki Matsutake: Computer Programming Technical Details The album was mixed by Mitsuo Koike Norio Yoshizawa , with global versions often featuring remastering by Roger Seibel

. It captures the peak energy of YMO's early global expansion, characterized by a punchy, high-speed synth-pop sound that influenced the development of techno and hip-hop. from the 1979 tour or a comparison Public Pressure

Faker Holic: YMO World Tour Live is a comprehensive double live album by the Japanese electronic pioneers Yellow Magic Orchestra (YMO)

, released in May 1991. It documents the band's first world tour in 1979, capturing performances in London, Paris, and New York. Key Album Details Significance:

This release is often called the "Director's Cut" of their 1980 live album Public Pressure . Unlike that earlier release, Faker Holic restores the original guitar parts by Kazumi Watanabe , which were previously overdubbed due to legal disputes. Structure: The album is typically split into two discs: Disc 1 (London/Paris):

Recorded at The Venue in London (Oct 16 & 24, 1979) and Théâtre Le Palace in Paris (Oct 18, 1979). Disc 2 (New York):

A recording of their full show at The Bottom Line in New York City (Nov 6, 1979). Personnel: Features the core trio of Haruomi Hosono Ryuichi Sakamoto (keyboards), and Yukihiro Takahashi (drums/vocals), with support from Akiko Yano (keyboards/backing vocals), Kazumi Watanabe (guitar), and Hideki Matsutake (programming). Full Tracklist

The 27-track collection covers YMO's most iconic early material across two discs: Disc 1: London & Paris Disc 2: New York Side 1. Castalia 2. Behind the Mask 3. Behind the Mask 3. Radio Junk 4. Cosmic Surfin' 4. Solid State Survivor 5. Radio Junk 5. Kang Tong Boy (feat. Akiko Yano) 6. Insomnia 6. Tong Poo 7. La Femme Chinoise 7. Day Tripper 8. Technopolis 8. 1000 Knives 9. Solid State Survivor 9. Rocket Factory 10. Day Tripper 10. La Femme Chinoise 11. Firecracker 11. Firecracker 12. The End of Asia 12. Cosmic Surfin' 13. 1000 Knives 13. The End of Asia 14. Tong Poo Cosmic Surfin' (Live at Greek Theatre, LA)

Faker Holic: YMO World Tour Live is a double live album by the Japanese electronic pioneers Yellow Magic Orchestra (YMO), released on May 21, 1991. It captures the band during their first world tour in 1979, providing a raw and unedited look at their early live sound. Historical Significance

The album is primarily valued by fans for restoring Kazumi Watanabe's guitar parts. On YMO's first official live album, Public Pressure (1980), Watanabe's contributions were notoriously removed and overdubbed with keyboards due to contractual disputes between his label and Alfa Records. Faker Holic allows listeners to hear the original "band-like" energy of the 1979 tour, which featured more jazz-fusion and rock influences than the group's later studio work. Album Structure & Locations Looking for " Faker Holic: YMO World Tour

The two-disc set compiles recordings from several key stops on their 1979 international tour:

Disc 1 (London & Paris Side): Contains recordings from The Venue in London (October 16 and 24, 1979) and Théâtre Le Palace in Paris (October 18, 1979).

Disc 2 (New York Side): Primarily features a nearly complete show from The Bottom Line in New York City (November 6, 1979).

Bonus Content: Some editions include a recording of "Cosmic Surfin'" from the Greek Theatre in Los Angeles as a bonus track. Key Personnel Haruomi Hosono: Bass, Producer Ryuichi Sakamoto: Keyboards Yukihiro Takahashi: Drums, Vocals Kazumi Watanabe: Guitar

Akiko Yano: Keyboards, Backing Vocals (leads "Kang Tong Boy") Hideki Matsutake: Computer and Synthesizer Programming Notable Tracks

"Kang Tong Boy": A live favorite written and performed by guest keyboardist Akiko Yano, notably included in the New York set.

"Rocket Factory": A rare live track included on the second disc.

Classics: Live versions of "Rydeen," "Behind the Mask," "Technopolis," and "Tong Poo" are featured across both discs. YMO 101: The Live Albums - Mostly Retro

Faker Holic: YMO World Tour Live is a double live album by Yellow Magic Orchestra, released in 1991, that captures the raw energy of their 1979 Trans Atlantic Tour. Often called the "Director’s Cut" of their previous live release, Public Pressure, this album is famous for restoring the original jazz-inflected guitar solos of guest musician Kazumi Watanabe, which were famously mixed out of earlier releases due to contract disputes. Why It’s a Essential Listen

The "Untouched" Original: Unlike Public Pressure, which replaced live vocals and guitars with studio overdubs, Faker Holic restores the authentic 1979 live sound.

Watanabe’s Guitar: His presence gives these synth-pop classics a high-energy, jazzy edge. Verify file integrity: Test

Dynamic Guest Vocals: Features a rare live performance of "Kang Tong Boy" by Akiko Yano, who also provided additional keyboards. Album Structure & Highlights Recorded Locations Notable Tracks Disc 1: London/Paris Side The Venue, London (Oct 16/24) & Le Palace, Paris (Oct 18) "Technopolis," "Solid State Survivor," "Rydeen," "Tong Poo" Disc 2: New York Side The Bottom Line, NYC (Nov 6)

"Kang Tong Boy," "1000 Knives," "Fire Cracker," "Cosmic Surfin" Collectibility

Official Formats: Originally released as a "fatboy" double CD in 1991 through Alfa Records.

Condition Check: When searching for copies on platforms like Discogs or eBay , look for the red spine text and the common "Faker Horic" typo on early pressings.

Note on ".rar" files: If you are searching for this album online, be cautious. While the album is a must-have for YMO fans, digital archives often host compressed files (like .rar) which may vary in quality or safety. It is recommended to listen via official streaming services or track down a physical copy for the full remastered experience. YMO 101: The Live Albums - Mostly Retro

3. The Deep Cuts

The search term often leads to files that include not just the main album, but sometimes bonus tracks or slightly different mixes that appeared on specific pressings. It’s a treasure hunt.

4. Handling & Preservation Tips

6. Legal & Ethical Note

Do not sell this recording. Share lossy previews only. If an official release exists (e.g., YMO World Tour Live), defer to it. This guide is for preservation research, not piracy.

It sounds like you are looking for information about a specific rare digital file — likely a .rar archive containing live audio or video recordings from the YMO (Yellow Magic Orchestra) World Tour, potentially mislabeled or nicknamed “Faker Holic.”

To provide an informative piece, I will break down what this search term likely refers to, the nature of such files, and important context regarding YMO’s live recordings.

3. Common Characteristics of Such Rare Live Rips

1. The Out-of-Print Problem

Like many Japanese CD releases from the 90s, physical copies of Faker Holic can be difficult to find. When they do appear on auction sites, they often command high prices due to shipping costs and collector demand. For the casual listener or the fan on a budget, tracking down a digital archive is often the only accessible way to hear the record.