Echo & the Bunnymen — Discography RAR (Best Version)

Looking for a compact, high-quality RAR of Echo & the Bunnymen’s discography? Here’s a clean, shareable post you can use on forums, social media, or music groups.

Tracklist highlights

• Crocodiles (1980) — key post-punk debut
• Heaven Up Here (1981) — darker, denser sound
• Porcupine (1983) — includes “The Cutter”
• Ocean Rain (1984) — orchestral peak; “The Killing Moon”
• Songs to Learn & Sing (1985) — best-of compilation
• Evergreen (1997) — late-’90s resurgence
• What Are You Going to Do with Your Life? (1999) — mature, introspective
• Flowers (2001), Siberia (2005), The Fountain (2009), Meteorites (2014) — later-period highlights
• Singles, B-sides & rare tracks — essential for completists

Why this RAR is better

• Complete: Albums, EPs, singles, B-sides, and rarities in one archive
• Consistent tagging: ID3 tags and album art applied across the set
• High-quality source files: lossless FLAC (recommended) or high-bitrate MP3 where FLAC unavailable
• Organized folder structure: by year → release type → album/title
• README included: credits, source notes, and suggested playback order
• Checksums & integrity: .sfv/.sha256 included for verification

Suggested post text (copy/paste) "Echo & the Bunnymen — Complete Discography (FLAC) — curated RAR. Includes studio albums, EPs, singles, B-sides, rarities, and live tracks. Consistent ID3 tags, album art, and a clean folder structure. README with source notes and checksums included. PM for access."

Sharing tips & etiquette

• Respect copyright: share only with friends or in private collectors’ circles where allowed.
• Offer a tracklist or sample rip details to legitimize quality claims.
• Provide checksum and exact file size in the post to prove integrity.
• Use private links or trackers for limited distribution.

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Final Recommendation

Grab a RAR pack that includes:

• Heaven Up Here (UK LP rip)
• Porcupine + “Heads Will Roll” 12”
• Ocean Rain (2003 remaster CD or original LP)
• Songs to Learn & Sing (comp – but only if it has the superior single mix of “Bring On the Dancing Horses” – many RARs mistakenly use the album version).

Skip Reverberation unless you’re a completionist. Prioritize any pack with a “B-sides & Rarities 1980–1987” folder – that’s where the real treasure is.

If you find a RAR containing lossless files of the 1983 “Never Stop” 12” mix and “Do It Clean” (long version), you’ve struck gold.

Echo and the Bunnymen's discography is defined by a legendary initial run of four albums that set the standard for post-punk and neo-psychedelia . While later records often struggle to match the "edge" of their 1980s work, specific releases like Flowers (2001) and Siberia (2005) are highly regarded by critics as vital returns to form .

Watch these detailed rankings and reviews to see how the band's iconic early works compare to their later deep cuts: Ranking Echo & the Bunnymen's Discography 1K views · 5 months ago YouTube · Scorching Hot Takes Podcast Echo & the Bunnymen Albums Ranked From Worst to Best 14K views · 3 years ago YouTube · Tastes Like Music Echo & The Bunnymen Albums Ranked 723 views · 11 months ago YouTube · Richard McCook

Echo & the Bunnymen (1987): Often called "the grey album," it yielded the fan favorite "Lips Like Sugar". 3. The Comeback & Modern Era (1997–Present)

After a brief split and the tragic loss of drummer Pete de Freitas, the band reformed and continued to release solid material. Let's Rank All The Echo And The Bunnymen Albums

Studio Albums:

• Cutter (1979) - Their debut album, released on 1 June 1979
• Hounds of Love (1980) - Their second album, released on 14 November 1980
• Porpoise Song (1980) - A mini-album, released on 15 November 1980
• Heathen (1981) - Their fourth album, released on 8 May 1981
• Ocean Rain (1984) - A critically acclaimed album, released on 4 May 1984
• On the Edge of the World (1987) - Their sixth album, released on 16 September 1987
• Reverberations (1988) - A mini-album, released on 6 June 1988
• Echo & the Bunnymen (1999) - A self-titled album, released on 5 October 1999
• Songs to Learn and Sing (2001) - A compilation album with new tracks, released on 25 June 2001
• The Fountain (2003) - Their tenth album, released on 17 November 2003
• The Ocean Rain Sessions (2018) - A live album, released on 16 November 2018

Compilation Albums:

• The Best of Echo & the Bunnymen (1988) - A compilation album, released on 2 November 1988
• Lips Like Sugar (1992) - A compilation album, released on 24 August 1992
• The Sound of Echo & the Bunnymen (2000) - A compilation album, released on 28 November 2000
• Ultimate Collection (2005) - A compilation album, released on 21 November 2005

Singles:

• "The Killing Moon" (1984) - A hit single, released on 2 November 1984
• "Lips Like Sugar" (1987) - A single, released on 29 June 1987
• "Seven Seas" (1987) - A single, released on 7 December 1987
• "I Still Have That Other Girl" (1999) - A single, released on 13 September 1999

You can find rarer and better versions of their discography through various online music platforms or by purchasing collector's editions of their albums.

Would you like to know more about a specific album or song by Echo & the Bunnymen?

Echo and the Bunnymen's discography is famous for its transition from dark, angular post-punk to lush, orchestral "baroque pop". While most fans start with the hits, the "rarer" or "better" listening experience is often found in the expanded remasters and live sessions, which reveal the band's raw energy and experimental roots.  Essential "Rare" & Expanded Releases 

For a deeper dive beyond the standard studio albums, look for these versions that offer significantly more content: 

25th Anniversary Expanded Editions (2003/2004): These are widely considered the definitive versions of their first five albums (Crocodiles through Echo & the Bunnymen). They include a total of 37 bonus recordings, such as:

Early Drum Machine Demos: Rare versions of tracks like "Read It In Books" and "Villiers Terrace" recorded with "Echo," the band’s original drum machine.

Live at the Royal Albert Hall (1983): High-energy live recordings of "The Cutter" and "The Back of Love" often preferred by fans over the studio versions for their "soul-stirring" intensity.

The John Peel Sessions 1979-1983: Released officially on platforms like Spotify and Deezer, these sessions are prized for their stripped-back, aggressive sound.

Crystal Days 1979-1999: A comprehensive 4-CD box set that serves as the ultimate collection for rarities, including non-album singles, B-sides, and alternative takes.  Which Era is "Better"? 

Fans typically divide the discography into two distinct peaks: 

The "Post-Punk" Peak (1980–1981): Heaven Up Here is frequently cited by critics and hardcore fans as their masterpiece for its dark, "goth-vibe" mood and tribal rhythms.

The "Commercial" Peak (1984): Ocean Rain is the band’s most famous work, featuring "The Killing Moon". While more radio-friendly, the production is often described as "cavernous" and "mysterious". 

Let's Rank All The Echo And The Bunnymen Albums - M10 Social

Key Albums to Target (with RAR-quality notes)

| Album | Year | Style | Why you want lossless / rare files | |-------|------|-------|--------------------------------------| | Crocodiles | 1980 | Post-punk / sharp & wiry | Original vinyl rip captures the raw drum echo and bass growl. Early CD transfers are brittle. | | Heaven Up Here | 1981 | Darker, atmospheric | The UK original mix is vastly superior to US remaster. Seek a 24-bit rip of the 2003 remaster or an original vinyl needledrop. | | Porcupine | 1983 | Orchestral, moody | Look for the rare “Heads Will Roll” single B-sides included in some RAR packs. “The Cutter” sounds huge in FLAC. | | Ocean Rain | 1984 | Cinematic, lush strings | Essential. Avoid 1990s CDs. Seek the 2003 remaster or a 1984 UK LP rip. “The Killing Moon” deserves lossless. | | Echo & the Bunnymen (1987 album) | 1987 | Psychedelic pop / louder | The original CD has good dynamics, but a 2010s vinyl rip adds warmth. B-side “Rollercoaster” (often in rare packs) is a hidden gem. | | Reverberation | 1990 | No McCulloch (skip for fans) | Only for completists. Sound quality is fine but musically disjointed. | | Evergreen | 1997 | Comeback / mature | Later CDs are well-mastered, but rare promo versions include acoustic bonus tracks. | | Flowers | 2001 | Underrated return to form | Look for the Japanese edition RAR (extra track “Scissors in the Sand”). | | The Fountain | 2009 | Moody, modern | Lossless reveals layered guitars and string arrangements lost on MP3. |

Ocean Rain, Silver Boxes, and Lost Tracks: The Quest for the Definitive Echo & the Bunnymen Discography

For fans of post-punk and neo-psychedelia, few bands command as much devout reverence as Echo & the Bunnymen. From the jagged, misty guitars of Crocodiles to the lush, string-laden grandeur of Ocean Rain, Ian McCulloch and Will Sergeant created a sonic landscape that defined an era.

However, for the avid collector and audiophile, navigating the band’s discography is a minefield. A simple search for the albums often leads to a confusing array of results, including the cryptic search term "echo and the bunnymen discography rar better." This specific phrasing points to a longstanding frustration within the fan community: the search for versions that actually sound better than the standard commercial releases.

This article explores why fans are hunting for these rare (RAR) files, which remasters are considered superior, and why the "original master" is often king.

2. The 2018/2019 Vinyl Reissues

This is where the debate heats up. When Crocodiles, Heaven Up Here, and Porcupine were reissued on heavyweight vinyl recently, the reception was mixed. While the packaging was beautiful, some audiophiles argued that the mastering was somewhat thin compared to the original Korova/Warner Bros. pressings from the early 80s.

For the digital "RAR" collector, the original UK pressing rips (often labeled "UK 1st Press") are usually considered the "better" version. They capture the cavernous, atmospheric reverb that defined the band's early sound without the modern digital clipping found in louder remasters.